In this paper, I explore what Jean Améry calls the ‘aesthetic view of death’. I address the following three questions. To what extent, and how, do we take an aesthetic view of death? Why do we take an aesthetic view of death? Third, for those whose deaths are impending and have some choice over how they die—most prominently the elderly and the terminally ill—what would it mean for them to take an aesthetic view of their own impending deaths, and, in particular, what would it mean for them to act in the light of such a view
This publication includes essays by Steven Gartside and Clive Parkinson; along with illustrated text...
This article is proposed as a study on the issue of the relationship between the datum of death and ...
Is there a distinction between “art” and “craft,” where the former is motivated by something like “g...
This paper shows how the human corpse can function as an aes- thetic-therapeutic for the deceased, t...
This thesis is about the dying individual. The institutionalisation of death in the West has led to ...
This paper offers some personal reflections on the idea of ‘a good death’, a theme in the writing of...
This paper offers some personal reflections on the idea of ‘a good death’, a theme in the writing of...
In this paper, I am concerned with elucidating and expanding our attitudes toward our own death. As ...
Though death and loss are recognized as significant themes in fine and popular arts forms, we know v...
The concept of the good death has been widely considered. However, the perspectives of those affecte...
This paper is concerned with the social, spiritual and expressive ways of dealing with the pain of g...
Chapter positions contemporary art’s ability to affect understandings of issues around death: how ar...
In this article, I ask how an artwork handling mortality can address human belongingness to the rest...
The article deals with the problem of death and the end of art. The discourse on the subject is stil...
A thesis submitted to the University of Bedfordshire, in partial fulfilment of the requirements for ...
This publication includes essays by Steven Gartside and Clive Parkinson; along with illustrated text...
This article is proposed as a study on the issue of the relationship between the datum of death and ...
Is there a distinction between “art” and “craft,” where the former is motivated by something like “g...
This paper shows how the human corpse can function as an aes- thetic-therapeutic for the deceased, t...
This thesis is about the dying individual. The institutionalisation of death in the West has led to ...
This paper offers some personal reflections on the idea of ‘a good death’, a theme in the writing of...
This paper offers some personal reflections on the idea of ‘a good death’, a theme in the writing of...
In this paper, I am concerned with elucidating and expanding our attitudes toward our own death. As ...
Though death and loss are recognized as significant themes in fine and popular arts forms, we know v...
The concept of the good death has been widely considered. However, the perspectives of those affecte...
This paper is concerned with the social, spiritual and expressive ways of dealing with the pain of g...
Chapter positions contemporary art’s ability to affect understandings of issues around death: how ar...
In this article, I ask how an artwork handling mortality can address human belongingness to the rest...
The article deals with the problem of death and the end of art. The discourse on the subject is stil...
A thesis submitted to the University of Bedfordshire, in partial fulfilment of the requirements for ...
This publication includes essays by Steven Gartside and Clive Parkinson; along with illustrated text...
This article is proposed as a study on the issue of the relationship between the datum of death and ...
Is there a distinction between “art” and “craft,” where the former is motivated by something like “g...