The Language of Dreams examines Indigenous music in Canada, with a particular focus on the Bibigwan. This research project asks how we can decolonize music education and how the effects of colonization have affected music. To answer these questions, I used a literature review and lived experiences. Through the writings and teachings of Indigenous researchers and articles by ethnomusicologists, it is clear that musical institutions need to be decolonized and Indigenized. Not only will Indigenizing colonial music institutions aid in decolonizing Canadian culture, but also help with students\u27 mental health and overall well-being. This study discovered that Westernized music conservatories and post-secondary programs are often tied to mental...
The Métis people are a distinct Indigenous group within Canada who identify with their own customs, ...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
In the following study I explore the role of musical practices in the making of different sensibilit...
This narrative inquiry explores how the �Songs of the Spirit� Native American Flute curriculum, ...
Canadian universities are under increasing pressure to address systemic exclusions of Indigenous peo...
Ministry of Education policy guidelines (e.g., 2007) call upon educators in Ontario to include cultu...
The purpose of this study is to explore how Ontario secondary specialist music teachers are currentl...
Music Education has always been the doorway to experiencing something new and wonderful. Music Educa...
This research is an exploration into how a select group of educators in the TDSB are using art, danc...
For those of us with decolonial desires, the university classroom is a potential space of disruption...
This dissertation set out to examine the meaning of music for First Nations childrenwith autism in B...
How do Aboriginal musicians and music professionals make connections between their music and their ...
[About the book] First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecti...
The Ts'msyen Nation of the Terrace area of northern British Columbia has a rich cultural tradition t...
In the following study I explore the role of musical practices in the making of different sensibilit...
The Métis people are a distinct Indigenous group within Canada who identify with their own customs, ...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
In the following study I explore the role of musical practices in the making of different sensibilit...
This narrative inquiry explores how the �Songs of the Spirit� Native American Flute curriculum, ...
Canadian universities are under increasing pressure to address systemic exclusions of Indigenous peo...
Ministry of Education policy guidelines (e.g., 2007) call upon educators in Ontario to include cultu...
The purpose of this study is to explore how Ontario secondary specialist music teachers are currentl...
Music Education has always been the doorway to experiencing something new and wonderful. Music Educa...
This research is an exploration into how a select group of educators in the TDSB are using art, danc...
For those of us with decolonial desires, the university classroom is a potential space of disruption...
This dissertation set out to examine the meaning of music for First Nations childrenwith autism in B...
How do Aboriginal musicians and music professionals make connections between their music and their ...
[About the book] First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecti...
The Ts'msyen Nation of the Terrace area of northern British Columbia has a rich cultural tradition t...
In the following study I explore the role of musical practices in the making of different sensibilit...
The Métis people are a distinct Indigenous group within Canada who identify with their own customs, ...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
In the following study I explore the role of musical practices in the making of different sensibilit...