This article examines the relationship between tradition and modern elements of Indigenous music through a cyclical perspective, and challenges colonial concepts of Indigenous modernity. Indigenous culture is often portrayed in mainstream culture as a relic of the past, which renders it incompatible with modernity. With a special focus on Indigenous female artists’ perspectives, I examine the ways in which women placed in this unique intersection challenge the binaries of past/present and tradition/modern
Abstract Indigenous studies (also referred to as Aboriginal and Torres Strait Islan...
The polarity between the disparate spheres of Western modernity and Aboriginal tradition has ultimat...
In order to cohesively understand Australian culture, the implications and disturbances of modernity...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
In this dissertation I explore how Indigenous methodologies that foreground cultural advocacy, revit...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
When Indigenous performance traditions make the journey into the Western academy and other education...
The contemporary context of Australia cannot be understood in isolation from its colonial past. As a...
This chapter describes an interdisciplinary and intercultural method for writing about historical pe...
How do Aboriginal musicians and music professionals make connections between their music and their ...
The article begins by making explicit its disciplinary standpoint. Research on music in indigenous s...
The Aboriginal art market has received significantly increased interest from non-Aboriginal audience...
Abstract Indigenous studies (also referred to as Aboriginal and Torres Strait Islan...
The polarity between the disparate spheres of Western modernity and Aboriginal tradition has ultimat...
In order to cohesively understand Australian culture, the implications and disturbances of modernity...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
In this dissertation I explore how Indigenous methodologies that foreground cultural advocacy, revit...
I begin this chapter by arguing against any sort of prescriptive definitions for Indigenous Australi...
Indigenous Australian women who perform contemporary music are acutely aware that Aboriginalist disc...
The purpose of this research is to examine past and present Indigenous music and how both interconne...
When Indigenous performance traditions make the journey into the Western academy and other education...
The contemporary context of Australia cannot be understood in isolation from its colonial past. As a...
This chapter describes an interdisciplinary and intercultural method for writing about historical pe...
How do Aboriginal musicians and music professionals make connections between their music and their ...
The article begins by making explicit its disciplinary standpoint. Research on music in indigenous s...
The Aboriginal art market has received significantly increased interest from non-Aboriginal audience...
Abstract Indigenous studies (also referred to as Aboriginal and Torres Strait Islan...
The polarity between the disparate spheres of Western modernity and Aboriginal tradition has ultimat...
In order to cohesively understand Australian culture, the implications and disturbances of modernity...