This project encompasses pre-production research and conceptualization, direction of Seussical Jr. (including casting and rehearsal of student actors and coordinating technical elements), post-production reflection, and evaluation. The documentation includes research and textual analysis of the play, notes on rehearsal and direction, and post-production critical reflection
The intent of this thesis and thesis project was to execute a successful run of the play, Stop Kiss ...
This research investigates non-destructive testing (NDT) techniques for the quality assurance of por...
“Moments We Strive For” presents a theoretical framework for reimagining historical sound and music ...
This report describes the work completed for three plays: Dogfight, Next to Normal, and Three Sister...
Scenic Design: A Compilation ventures into the process of creating three productions including, Boei...
In this thesis paper, I will detail the making of Camp Shakespeare For Young Performing Artists, my ...
This practice-as-research aims to explore the roles and working practice of a contemporary music pra...
Research shows the main factors that influence student attendance to performances are social status,...
This phenomenological case study explored the lived experiences of performing arts-makers, who parti...
This thesis is an exploratory look at the process for designing the costumes for Neil Simon’s The Go...
This thesis is a combination of a lighting design, informed by psychology’s color theory, for Angelo...
Rapture, Blister, Burn is a play best described as if an episode of ABC’s Wife Swap (in which two fa...
I examine the role of costume in performance and explore the notion of keeping the physical body pre...
This project encompasses the selection, research, casting, production and post-production process of...
In this paper, I will detail the process of making the graduate thesis film Historia Naturalis. I wi...
The intent of this thesis and thesis project was to execute a successful run of the play, Stop Kiss ...
This research investigates non-destructive testing (NDT) techniques for the quality assurance of por...
“Moments We Strive For” presents a theoretical framework for reimagining historical sound and music ...
This report describes the work completed for three plays: Dogfight, Next to Normal, and Three Sister...
Scenic Design: A Compilation ventures into the process of creating three productions including, Boei...
In this thesis paper, I will detail the making of Camp Shakespeare For Young Performing Artists, my ...
This practice-as-research aims to explore the roles and working practice of a contemporary music pra...
Research shows the main factors that influence student attendance to performances are social status,...
This phenomenological case study explored the lived experiences of performing arts-makers, who parti...
This thesis is an exploratory look at the process for designing the costumes for Neil Simon’s The Go...
This thesis is a combination of a lighting design, informed by psychology’s color theory, for Angelo...
Rapture, Blister, Burn is a play best described as if an episode of ABC’s Wife Swap (in which two fa...
I examine the role of costume in performance and explore the notion of keeping the physical body pre...
This project encompasses the selection, research, casting, production and post-production process of...
In this paper, I will detail the process of making the graduate thesis film Historia Naturalis. I wi...
The intent of this thesis and thesis project was to execute a successful run of the play, Stop Kiss ...
This research investigates non-destructive testing (NDT) techniques for the quality assurance of por...
“Moments We Strive For” presents a theoretical framework for reimagining historical sound and music ...