His Name Was Don Francisco Muro: Reconstructing an Image of American Imperialism

Visual culture played a significant role in the debates surrounding American colonialism in the Philippines in the early twentieth century. One of the most important photographers working the Philippines at that time was Dean Conant Worcester, who also served as a colonial administrator. Worcester\u27s three-part sequence of photographs supposedly showing an Igorot man becoming civilized through his contact with Americans is one of the more iconic sets of images from that time period. In recent years, many historians have reprinted the Igorot sequence to illustrate American imperial ideologies. However, neither the identity of the subject, nor the circumstances surrounding the creating of the sequence has been published, and different historians have traced the sequence to different points of origin. Understanding the history of the sequence provides a way to better understand both the history of American colonialism in the Philippines and the challenges of using photographs as historical evidence