This chapter proposes a comparative analysis of representations of pagan idols in late antique Jewish and Christian art. The goal is to understand the practical solutions implemented by artists to visualize the concept of idolatry without jeopardizing the legitimacy of the artistic products themselves. By selecting from an established Greco-Roman repertory, late antique artists relied on practices of decontextualization and on specific compositional devices to convert traditional depictions of statues into illegitimate cult objects, making them immediately recognizable to viewers. This unique iconotropic phenomenon is examined here by taking into consideration images in different media and by focusing especially on the ways that the artists...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
This is an answer to the article by T.F. Mathews, “The Emperor and the Icon”, published in ActaAArtH...
This chapter reviews archaeologically secure material evidence for visual imagery from ancient Israe...
Prior to the eruption of the Iconoclastic Controversy in the eighth century, complex traditions of a...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
Since the beginning of Christianity, Christians have been faced with the ambiguous nature of "image"...
In this book, Philip Kiernan explores how cult images functioned in Roman temples from the Iron Age ...
Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illu...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
In light of the theological proscription of image-making in Judaic law, this dissertation interprets...
The idol, in medieval Christian analysis, is a paradoxical object; it may be conceived of either as ...
Discusses the use of images – statuary, figurines, paintings, and so on -- in a variety of ritual pr...
The origins of cult images in Christianity are connected with the cult of relics which make present ...
In lieu of an abstract, below is the essay\u27s first paragraph. The Gospel message, it seems, cann...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
This is an answer to the article by T.F. Mathews, “The Emperor and the Icon”, published in ActaAArtH...
This chapter reviews archaeologically secure material evidence for visual imagery from ancient Israe...
Prior to the eruption of the Iconoclastic Controversy in the eighth century, complex traditions of a...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
This dissertation focuses on images of Christ that date from the first half of Late Antiquity, defin...
Since the beginning of Christianity, Christians have been faced with the ambiguous nature of "image"...
In this book, Philip Kiernan explores how cult images functioned in Roman temples from the Iron Age ...
Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illu...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
In light of the theological proscription of image-making in Judaic law, this dissertation interprets...
The idol, in medieval Christian analysis, is a paradoxical object; it may be conceived of either as ...
Discusses the use of images – statuary, figurines, paintings, and so on -- in a variety of ritual pr...
The origins of cult images in Christianity are connected with the cult of relics which make present ...
In lieu of an abstract, below is the essay\u27s first paragraph. The Gospel message, it seems, cann...
Includes bibliographical references (pages [76]-80)From its inception, the Christian religion, born ...
This is an answer to the article by T.F. Mathews, “The Emperor and the Icon”, published in ActaAArtH...
This chapter reviews archaeologically secure material evidence for visual imagery from ancient Israe...