Add to ORKGLa storia della più famosa e conosciuta delle danza classiche indiane attraverso la disputa tra due delle sue più famose interpreti. Il saggio ripercorre la polemica sulla rappresentazione in scena del "bhava" erotico-amoroso tra la bramina, riformatrice della danza femmnile templare, Rukmini Devi, e una delle ultime esponenti delle Devadasi, la grande danzatrice Balasarasvati.The History of the most famous and best known of Indian classical dance through the dispute between two of its most famous performers. The essay traces the controversy over the staged representation of the erotic-amorous "bhava" between Rukmini Devi, reformer of the Templar female dance, and one of the last exponents of the Devadasi, Balasarasvati
This study explores how a traditional Indian storytelling dance form crosses religious and ethnic fr...
This paper examines the art form of bharatanatyam, which is the pinnacle of Indian classical dance t...
Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as repr...
La storia della più famosa e conosciuta delle danza classiche indiane attraverso la disputa tra due...
Abstract – IT Il bharata natyam, stile coreutico dell’India meridionale, viene generalmente consider...
This thesis looks at the relationship between sringara (aspect of love) and bhakti (aspect of devoti...
This essay is a contribution to a volume of work by key scholars and artists in the Indian classical...
Abstract: Indian dance is not an art by itself, it is a synthesis of all arts finding a unique expr...
This paper examines the complex identities held by devadasis and the social and political circumstan...
International audienceThe dance form Odissi is considered by the Indian government to be the classic...
The dance form Odissi is considered by the Indian government to be the classical dance from the Indi...
The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskri...
The stories underlying the temple dances are described in the scientific works devoted to different ...
La vie et les enseignements de Ramakrishna (1836-1886), saint bengali hindou de tradition tantrique,...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
This study explores how a traditional Indian storytelling dance form crosses religious and ethnic fr...
This paper examines the art form of bharatanatyam, which is the pinnacle of Indian classical dance t...
Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as repr...
La storia della più famosa e conosciuta delle danza classiche indiane attraverso la disputa tra due...
Abstract – IT Il bharata natyam, stile coreutico dell’India meridionale, viene generalmente consider...
This thesis looks at the relationship between sringara (aspect of love) and bhakti (aspect of devoti...
This essay is a contribution to a volume of work by key scholars and artists in the Indian classical...
Abstract: Indian dance is not an art by itself, it is a synthesis of all arts finding a unique expr...
This paper examines the complex identities held by devadasis and the social and political circumstan...
International audienceThe dance form Odissi is considered by the Indian government to be the classic...
The dance form Odissi is considered by the Indian government to be the classical dance from the Indi...
The most comprehensive view of the evolution of dancing in India is one that is derived from Sanskri...
The stories underlying the temple dances are described in the scientific works devoted to different ...
La vie et les enseignements de Ramakrishna (1836-1886), saint bengali hindou de tradition tantrique,...
Indian classical dance is a remarkable source of knowledge about the culture of the Indian Peninsula...
This study explores how a traditional Indian storytelling dance form crosses religious and ethnic fr...
This paper examines the art form of bharatanatyam, which is the pinnacle of Indian classical dance t...
Bharatanatyam is a classical dance form derived from ancient dance styles, which is now seen as repr...