This research studies the development of Iranian dramatic literature and theater in post-revolutionary Iran. In a historical survey from the 1979 revolution to the beginning of the Reform Era, it explores the connection of the dramatic literature and their productions to their cultural contexts and studies the ways these contexts impact the function and formation of Iranian theater. In a chronological survey, this research examines the ways Iranian theater developed new theatrical forms to meet and reflect on the political, social, and cultural demands of an important phase in Iranian history. This research benefits from the methods of postpositivist theater historiography to advance a revisionist historical narrative based on the dynamic d...
Modern Iranian drama developed in line with a liberal school of thought, bothbefore and after the Co...
The thesis, which focuses on the revolution in Iran from 1979 to 1989, is divided into seven chapter...
In the twentieth century, Western theatre practitioners, aware of the gap between actorand spectator...
One of the major trends in experimental theater refashions the representational and presentational t...
Includes bibliographical references (pages 76-81)Drama in some forms has always been in existence in...
This thesis gives a portrait of the theatrical activities in Iran after the Islamic Revolution of 19...
The purpose of this first study is to provide a broad overview of Iranian theater in three historica...
Since the 1979 Revolution in Iran, women have been key contributors to contemporary Iranian cinema, ...
The Shiraz Arts Festival was an annual weeklong summer festival that ran from 1967 to 1977 in and ar...
This study mainly focuses on how plot expression is originated from eclecticism of two different for...
[While there is a wealth of scholarship on national identity and popular culture in Iran, there is a...
Since the 1979 Revolution in Iran, women have been key contributors to contemporary Iranian cinema,...
This present study analyses a kind of eclectic theatre in Iran based on Ta’ziyeh. Ta’ziyeh is well k...
This research examines the changes in conditions of music and dance after the 1979 revolution in Ira...
This dissertation deals with the state and forms of development in post-revolutionary Iran, through ...
Modern Iranian drama developed in line with a liberal school of thought, bothbefore and after the Co...
The thesis, which focuses on the revolution in Iran from 1979 to 1989, is divided into seven chapter...
In the twentieth century, Western theatre practitioners, aware of the gap between actorand spectator...
One of the major trends in experimental theater refashions the representational and presentational t...
Includes bibliographical references (pages 76-81)Drama in some forms has always been in existence in...
This thesis gives a portrait of the theatrical activities in Iran after the Islamic Revolution of 19...
The purpose of this first study is to provide a broad overview of Iranian theater in three historica...
Since the 1979 Revolution in Iran, women have been key contributors to contemporary Iranian cinema, ...
The Shiraz Arts Festival was an annual weeklong summer festival that ran from 1967 to 1977 in and ar...
This study mainly focuses on how plot expression is originated from eclecticism of two different for...
[While there is a wealth of scholarship on national identity and popular culture in Iran, there is a...
Since the 1979 Revolution in Iran, women have been key contributors to contemporary Iranian cinema,...
This present study analyses a kind of eclectic theatre in Iran based on Ta’ziyeh. Ta’ziyeh is well k...
This research examines the changes in conditions of music and dance after the 1979 revolution in Ira...
This dissertation deals with the state and forms of development in post-revolutionary Iran, through ...
Modern Iranian drama developed in line with a liberal school of thought, bothbefore and after the Co...
The thesis, which focuses on the revolution in Iran from 1979 to 1989, is divided into seven chapter...
In the twentieth century, Western theatre practitioners, aware of the gap between actorand spectator...