Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian churches have been investigated with the aim to characterize their constituents and understand how they relate to damages observed in passages containing green paints. The cross-sections were analyzed by optical microscopy under visible and UV light, Scanning Electron Microscopy coupled with Energy Dispersive X-Ray Spectrometry and vibrational spectroscopies (Raman, ATR-FTIR). In addition, Gas Chromatography coupled with Mass Spectrometry was employed for the characterization of binding media, using a derivatization methodology recently developed for the detection of metal soaps in paint samples. This extensive characterization aided the identifica...
This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese...
Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...
Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian church...
A systematic investigation of medieval copper green pigments was carried out based on written source...
This paper reports an unusual green pigment, brochantite (Cu-4(SO4)(OH)(6)), on 16th-century Portugu...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
Colourants are substances used to change the colour of something, and are classified in three typolo...
During the examination of two 19th century oil paintings by Swiss artists, the Reading pastor (ca. 1...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
Golden pigments are among the most common colourants used in Persian illuminated manuscripts. In thi...
The focus of this thesis is the discoloration of a common historical green pigment, copper resinate....
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
A recount of the latest work on the collection and the analysis of the medieval paintings of Hexham ...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese...
Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...
Green pigments in micro-samples taken from three late-medieval painted objects from Norwegian church...
A systematic investigation of medieval copper green pigments was carried out based on written source...
This paper reports an unusual green pigment, brochantite (Cu-4(SO4)(OH)(6)), on 16th-century Portugu...
Booksh, Karl S.Alcántara-García, JocelynCopper-based pigments are common in both Western and Eastern...
Colourants are substances used to change the colour of something, and are classified in three typolo...
During the examination of two 19th century oil paintings by Swiss artists, the Reading pastor (ca. 1...
Analysis of paint samples from a 16th C. wall painting in the church of Agios Sozomenos in Galata, C...
Golden pigments are among the most common colourants used in Persian illuminated manuscripts. In thi...
The focus of this thesis is the discoloration of a common historical green pigment, copper resinate....
Les pigments verts à base de cuivre étaient très répandus en peinture de chevalet entre le XVe et le...
A recount of the latest work on the collection and the analysis of the medieval paintings of Hexham ...
International audienceGreen copper organometallic pigments have been known since Antiquity. Some of ...
This paper reports an unusual green pigment, brochantite (Cu4(SO4)(OH)6), on 16th-century Portuguese...
Abstract The discoloration of pigments caused by deterioration may significantly alter an artifact's...
This contribution describes the study conducted on two painted wooden reliefs created in the early 1...