How can an easy-access Mobile Phone Orchestra (MPO) platform be developed to facilitate high-end, flexible artistic expressions suitable for concert hall performances? Moreover, what challenges and possibilities arise in the development process of a novel MPO platform embracing school children as performers? In this paper, we discuss potential answers to these questions, which were integrated in the development process of mobilephoneorchestra.com. In particular, we highlight the main challenge of developing a performance platform that is both mobile and artistically rewarding, but still easily accessed by schoolchildren. Mobilephoneorchestra.com was developed as a Web Audio API to enable large-scale concert hall performances of fixed polyph...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Classical music is characterized by its standardized practices and established patterns of audience ...
Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.The performance i...
How can an easy-access Mobile Phone Orchestra (MPO) platform be developed to facilitate high-end, fl...
In this paper, we describe the development of the Stanford Mobile Phone Orchestra (MoPhO) since its ...
This work aims at a music piece for large-scale audience participation usingmobile phones as musical...
This paper examines the role of sound installation and music composition practices in addressing the...
*12* is chamber music work composed with the goal of letting audience members have an engaging, indi...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
With the development of web audio standards, it has quickly become technically easy to develop and d...
The participatory turn, fuelled by discourses and rhetoric regarding social media, and in theafterma...
computation to create a musical ecosystem where users take on the symbiotic roles of composers, perf...
In this talk, we present an overview of the experiences we conducted with developers, artists, pedag...
We discuss a setup for technology-mediated audience participation (TMAP)in live music using smartpho...
Abstract. The Mobile Orchestra Explorer paradigm enables active ex-perience of prerecorded music: us...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Classical music is characterized by its standardized practices and established patterns of audience ...
Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.The performance i...
How can an easy-access Mobile Phone Orchestra (MPO) platform be developed to facilitate high-end, fl...
In this paper, we describe the development of the Stanford Mobile Phone Orchestra (MoPhO) since its ...
This work aims at a music piece for large-scale audience participation usingmobile phones as musical...
This paper examines the role of sound installation and music composition practices in addressing the...
*12* is chamber music work composed with the goal of letting audience members have an engaging, indi...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
With the development of web audio standards, it has quickly become technically easy to develop and d...
The participatory turn, fuelled by discourses and rhetoric regarding social media, and in theafterma...
computation to create a musical ecosystem where users take on the symbiotic roles of composers, perf...
In this talk, we present an overview of the experiences we conducted with developers, artists, pedag...
We discuss a setup for technology-mediated audience participation (TMAP)in live music using smartpho...
Abstract. The Mobile Orchestra Explorer paradigm enables active ex-perience of prerecorded music: us...
The paper reports on the Cellmusic system: a real-time, wireless distributed composition and perform...
Classical music is characterized by its standardized practices and established patterns of audience ...
Presented at the 2nd Web Audio Conference (WAC), April 4-6, 2016, Atlanta, Georgia.The performance i...