The goal of this thesis is to show the ways in which C. S. Lewis’ The Chronicles of Narnia and Philip Pullman’s His Dark Materials depict Biblical themes, and to illustrate the worldview and moral values they represent by making use of these Biblical themes. I discuss the differences and similarities of the two series in their portrayal of themes like temptation, sin, morality, death and the afterlife. For my theoretical background and secondary material, I draw on theological literary criticism and thematics, as well as previous research on both Lewis’ and Pullman’s work. Using these as my background, I analyse the primary material through close reading. I show that the two series make use of a variety Biblical references and themes to c...
Magister Philosophiae - MPhilOne of the most marked differences between the Deuteronomic History and...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
C.S. Lewis’s Chronicles of Narnia ends with the absence of one the main characters. Susan Pevensie ...
C.S. Lewis’s Chronicles of Narnia ends with the absence of one the main characters. Susan Pevensie ...
“Everything in the whole story should arise from the whole cast of the author’s mind. We must write ...
This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagemen...
This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagemen...
The prophesy that King Arthur will return has come true. This legendary icon of Western civilization...
This dissertation explores the role and significance of the ancient Greek myth of Prometheus in West...
This thesis explores the special significance of wisdom in apocalyptic literature. Its investigation...
By his poetic declarations concerning Jesus Christ, Prudentius appeals to some as a flagship for fou...
By his poetic declarations concerning Jesus Christ, Prudentius appeals to some as a flagship for fou...
This thesis analyzed common aspects of six major works of dystopian literature to assess their commo...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
Magister Philosophiae - MPhilOne of the most marked differences between the Deuteronomic History and...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
C.S. Lewis’s Chronicles of Narnia ends with the absence of one the main characters. Susan Pevensie ...
C.S. Lewis’s Chronicles of Narnia ends with the absence of one the main characters. Susan Pevensie ...
“Everything in the whole story should arise from the whole cast of the author’s mind. We must write ...
This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagemen...
This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagemen...
The prophesy that King Arthur will return has come true. This legendary icon of Western civilization...
This dissertation explores the role and significance of the ancient Greek myth of Prometheus in West...
This thesis explores the special significance of wisdom in apocalyptic literature. Its investigation...
By his poetic declarations concerning Jesus Christ, Prudentius appeals to some as a flagship for fou...
By his poetic declarations concerning Jesus Christ, Prudentius appeals to some as a flagship for fou...
This thesis analyzed common aspects of six major works of dystopian literature to assess their commo...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
Magister Philosophiae - MPhilOne of the most marked differences between the Deuteronomic History and...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...
This research aims to identify the general conventions of noir thriller in Harlan Coben’s The Strang...