Stephen Morrissey shares reminiscences about Véhicule Art Inc., an experimental forum for the performance of new poetry, in the 1970s, in Montreal. The Véhicule Poets have maintained a resilient practice of autoethnography over the past four decades, documenting their involvement, but also formalizing their records in publications, such as, Vehicule Days: An Unorthodox History, and the Vehicule Poets website, and at events, like the commemorative reading hosted at McGill University on 26 April 2018. This commitment to memory and to sharing their story in different voices ease the road for researchers to piece together angles on literary history, narrative, and the archive
Vanouse explains how a critical appreciation of two Stephen Crane first editions, which exemplify a ...
The twenty-three poems in this collection are invested in the examination of memories. The author\u2...
Quebec has been home to a rich and vibrant English-language literary community since the nin...
‘Performed Poetics’ was a two-day conference celebrating the work of Eric Mottram and Jerome Rothenb...
It is a remarkable phenomenon that the foremost among recent sites of this interrogation of boundari...
You Say You Want a Revolution?: Records and Rebels 1966-1970, the exhibition showing at London’s Vic...
Memory, essential in creative writing, inspires us to weave literary reading into the narrative of p...
Jeffrey Moore’s The Memory Artists (2004) represents a recent turn in contemporary Canadian literatu...
The Past Matters Festival, Montsalvat, 27 July 2013Forum Participants: James Burgmann-Milner, Fiannu...
Essay in exhibition catalogue. This publication is a collaborative work designed for visitors to ...
Audio Arts (1973-2007) was established by artist William Furlong and curator Barry Barker in 1973 as...
Véhicule Press is a small book publishing company in Montreal that specializes in poetry, fiction, a...
In 2001, the artist Jeremy Deller staged a re-enactment of a key encounter in Orgreave, Sheffield be...
‘Stage Fright’ is a vinyl Record (LP) containing 11 sound and spoken word pieces. It posed the chall...
This group exhibition held at the Serpentine Gallery in London in the Autumn 2006 explored a range o...
Vanouse explains how a critical appreciation of two Stephen Crane first editions, which exemplify a ...
The twenty-three poems in this collection are invested in the examination of memories. The author\u2...
Quebec has been home to a rich and vibrant English-language literary community since the nin...
‘Performed Poetics’ was a two-day conference celebrating the work of Eric Mottram and Jerome Rothenb...
It is a remarkable phenomenon that the foremost among recent sites of this interrogation of boundari...
You Say You Want a Revolution?: Records and Rebels 1966-1970, the exhibition showing at London’s Vic...
Memory, essential in creative writing, inspires us to weave literary reading into the narrative of p...
Jeffrey Moore’s The Memory Artists (2004) represents a recent turn in contemporary Canadian literatu...
The Past Matters Festival, Montsalvat, 27 July 2013Forum Participants: James Burgmann-Milner, Fiannu...
Essay in exhibition catalogue. This publication is a collaborative work designed for visitors to ...
Audio Arts (1973-2007) was established by artist William Furlong and curator Barry Barker in 1973 as...
Véhicule Press is a small book publishing company in Montreal that specializes in poetry, fiction, a...
In 2001, the artist Jeremy Deller staged a re-enactment of a key encounter in Orgreave, Sheffield be...
‘Stage Fright’ is a vinyl Record (LP) containing 11 sound and spoken word pieces. It posed the chall...
This group exhibition held at the Serpentine Gallery in London in the Autumn 2006 explored a range o...
Vanouse explains how a critical appreciation of two Stephen Crane first editions, which exemplify a ...
The twenty-three poems in this collection are invested in the examination of memories. The author\u2...
Quebec has been home to a rich and vibrant English-language literary community since the nin...