This belongs to a multi-part essay series gathering compositions with ascending lines and upper-register cadence gestures in European and European- influenced music. Part 4 covers the period 1780–1860; this section is 1780–1815. Composers include, among others, Beethoven, Doche, Hummel, Mozart, Paisiello, Pecháček, J. A. P. Schulz, and Sterkel. Organ music compiled by Kaspar Ett concludes.Musi
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This new documentation of traditional European and European-influenced music with ascending lines an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This new documentation of traditional European and European-influenced music with ascending lines an...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This is a documentation of traditional European music with ascending lines and cadence gestures. Par...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cade...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...