This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Charles d’Albert, János Gungl, Charles Lenschow, Hans Christian Lumbye, and Johann Strauss, jr. An appendix is a list of all polkas discussed in this and previous essays,Musi
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
The polka became a popular social dance very quickly in the early 1840s. Its music was the first to ...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This new documentation of traditional European and European-influenced music with ascending lines an...
Rising melodic figures have a long history in cadences in European music of all genres. This essay d...
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
This supplement has additional polkas from the 1840s and 1850s. Composers include, among others, Cha...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
This is Part 5d of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
The polka became a popular social dance very quickly in the early 1840s. Its music was the first to ...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This new documentation of traditional European and European-influenced music with ascending lines an...
Rising melodic figures have a long history in cadences in European music of all genres. This essay d...
Adolphe Adam’s one-act opéra comique Le Châlet (1834) is a milestone in the history of rising cadenc...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...