‘Can Flush Count?’ The short answer is ‘Yes – But, in more ways than one!’ This essay counts some of the ways. The historical, lived dog, Flush (c.1840-1854), companion of the poet Elizabeth Barrett Browning, given to her by Mary Russell Mitford, and the subject of Virginia Woolf’s novel Flush: A Biography (1933) was apparently taught to count. But this parlour game with a poet is possibly the least interesting aspect of any investigation into numbers and animality in Woolf’s best-selling but least critically scrutinised novel. Canine counting and Woolf’s own recorded suspicion of measuring – ‘Who shall measure the heat and violence of a poet’s heart when caught and tangled in a woman’s body?’ (Woolf 1929: 73) – is here considered in relati...
Virginia Woolf is not only one of the most famous women writers in the English language, she is also...
In this thesis, I argue that “Aurora Leigh” (1932) and Flush: A Biography (1933), written by moderni...
In the fifth chapter of “Flush: A Biography” (1933), the mock biography in which Virginia Woolf revi...
This essay demonstrates the positive effect the dogs of Elizabeth Barrett-Browning and Virginia Wool...
Flush’s main character, Elizabeth Barrett Browning’s spaniel, can be seen as the epitome of Victoria...
International audienceFlush’s main character, Elizabeth Barrett Browning’s spaniel, can be seen as t...
This essay contains a literary analysis of Virginia Woolf’s Flush: A Biography (1933) where I have u...
In The New Biography, Virginia Woolf notes that there is a paradox inherent to the genre of biograph...
International audienceVirginia Woolf reflects on the vulnerability of women’s voices in her essay Th...
This essay analyses the ways in which James Joyce and Virginia Woolf addressed from a very early sta...
The down-to-earth subtitle of this collection deflects attention from the paronomasia possibilities ...
The article focuses on the number of lines, rhyme scheme and metrical pattern in poems. It discusses...
Typescript (photocopy).Virginia Woolf's private writing shows that her perceptions were not "the usu...
“Animal Remainders” responds to the challenge of—and challenges to—Victorian animal studies, a sub-f...
In this paper, we trace Virginia Woolf’s androgynous poetics throughout her oeuvre. We shall observe...
Virginia Woolf is not only one of the most famous women writers in the English language, she is also...
In this thesis, I argue that “Aurora Leigh” (1932) and Flush: A Biography (1933), written by moderni...
In the fifth chapter of “Flush: A Biography” (1933), the mock biography in which Virginia Woolf revi...
This essay demonstrates the positive effect the dogs of Elizabeth Barrett-Browning and Virginia Wool...
Flush’s main character, Elizabeth Barrett Browning’s spaniel, can be seen as the epitome of Victoria...
International audienceFlush’s main character, Elizabeth Barrett Browning’s spaniel, can be seen as t...
This essay contains a literary analysis of Virginia Woolf’s Flush: A Biography (1933) where I have u...
In The New Biography, Virginia Woolf notes that there is a paradox inherent to the genre of biograph...
International audienceVirginia Woolf reflects on the vulnerability of women’s voices in her essay Th...
This essay analyses the ways in which James Joyce and Virginia Woolf addressed from a very early sta...
The down-to-earth subtitle of this collection deflects attention from the paronomasia possibilities ...
The article focuses on the number of lines, rhyme scheme and metrical pattern in poems. It discusses...
Typescript (photocopy).Virginia Woolf's private writing shows that her perceptions were not "the usu...
“Animal Remainders” responds to the challenge of—and challenges to—Victorian animal studies, a sub-f...
In this paper, we trace Virginia Woolf’s androgynous poetics throughout her oeuvre. We shall observe...
Virginia Woolf is not only one of the most famous women writers in the English language, she is also...
In this thesis, I argue that “Aurora Leigh” (1932) and Flush: A Biography (1933), written by moderni...
In the fifth chapter of “Flush: A Biography” (1933), the mock biography in which Virginia Woolf revi...