In this paper, I examine the ideas regarding image reception that can be extracted from the De altera uita, a theological treatise written by the Iberian bishop Lucas de Tui in ca. 1230. In this book, he devotes one chapter to rejecting the changes that were taking place at the time in the image of the Crucifixion, especially concerning the variation in the number of nails and the shape of the cross. I will show that this text provides illuminating references regarding image reception, mainly through Lucas’s concerns about the visual misleading of the faithful and their devotional responses to artworks. By examining this work, which I will set against the theological and devotional background of its time, I will argue that this treatise re...
My dissertation examines manuscripts and early printed books of the “Fortress of Faith” (Fortalitium...
This article presents an investigation of a 14th-century polychrome wood crucifix from the Marttila ...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
Blood on the Cross investigates contemporary perceptions of the violent imagery of crucifixi doloros...
This research developed from an observation that the iconography of the crucifixion was being used b...
While there is plentiful research on the early art of the Franciscan religious order, few authors ha...
This essay addresses issues of vision and the role of the material image in devotional practice at t...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
The thesis analyses the transformations of the image of Antichrist in European art during the Renais...
Complementary to revelation in the Word, Christianity depends on visual media that provide insight i...
The usefulness of religious images to the Christian Church in late-medieval Europe had long been app...
This article explores Capgrave’s interest in the nature of visual phenomena as revealed in his Life ...
Includes bibliographical references (pages 143-147)The iconography of the Crucifixion underwent much...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
My dissertation examines manuscripts and early printed books of the “Fortress of Faith” (Fortalitium...
This article presents an investigation of a 14th-century polychrome wood crucifix from the Marttila ...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...
In this paper, I examine the ideas regarding image reception that can be extracted from the De alter...
Blood on the Cross investigates contemporary perceptions of the violent imagery of crucifixi doloros...
This research developed from an observation that the iconography of the crucifixion was being used b...
While there is plentiful research on the early art of the Franciscan religious order, few authors ha...
This essay addresses issues of vision and the role of the material image in devotional practice at t...
This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting be...
The thesis analyses the transformations of the image of Antichrist in European art during the Renais...
Complementary to revelation in the Word, Christianity depends on visual media that provide insight i...
The usefulness of religious images to the Christian Church in late-medieval Europe had long been app...
This article explores Capgrave’s interest in the nature of visual phenomena as revealed in his Life ...
Includes bibliographical references (pages 143-147)The iconography of the Crucifixion underwent much...
It has been persuasively argued that before the fifteenth century the category of art as a theorized...
My dissertation examines manuscripts and early printed books of the “Fortress of Faith” (Fortalitium...
This article presents an investigation of a 14th-century polychrome wood crucifix from the Marttila ...
Problems with Church attitudes toward images appeared already at the stage when the Christian doctri...