Add to ORKGA nonlinear sound synthesis technique that uses a sinusoidal input signal and a rational shaping function is described. Complex spectrum evolutions are easily obtainable by varying different parameters. The global spectrum shape is essentially defined by only two parameters, those controlling the bandwidth and the formant position. multiplication by a carrier allows harmonic and inharmonic spectra to be obtained
A commercially available Fourier synthesizer is used to add together various harmonics of 440 Hz a...
In Fourier synthesis, natural musical sounds are produced by summing time-varying sinusoids. Sounds ...
This paper describes sound creation without signal process-ing but with nonlinear differential equat...
Non linear techniques are used more and more commonly in musical sound synthesis Waveshaping allows ...
This article explores techniques for synthesizing resonant sounds using the principle of nonlinear d...
This paper presents a new method for sound synthesis based upon non-linear dynamics. The procedure i...
We consider a novel mode of fractional frequency harmonic generation obtained by the sinusoidal modu...
A class of harmonically rich signals for use in subtractive music synthesis is introduced. These sig...
Split-sideband synthesis (SpSB)—which is related to the well-known principles of waveshaping, single...
Combine up to nine harmonic frequencies to visualize the resulting waveform using Fourier synthesis....
When generating musical sound on a digital computer, it is important to have a good model whose para...
Several versions of Sinusoidal+Residual analysis/synthesis models have been developed for music appl...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
When generating musical sound on a digital computer, it is important to have a good model whose para...
A commercially available Fourier synthesizer is used to add together various harmonics of 440 Hz a...
In Fourier synthesis, natural musical sounds are produced by summing time-varying sinusoids. Sounds ...
This paper describes sound creation without signal process-ing but with nonlinear differential equat...
Non linear techniques are used more and more commonly in musical sound synthesis Waveshaping allows ...
This article explores techniques for synthesizing resonant sounds using the principle of nonlinear d...
This paper presents a new method for sound synthesis based upon non-linear dynamics. The procedure i...
We consider a novel mode of fractional frequency harmonic generation obtained by the sinusoidal modu...
A class of harmonically rich signals for use in subtractive music synthesis is introduced. These sig...
Split-sideband synthesis (SpSB)—which is related to the well-known principles of waveshaping, single...
Combine up to nine harmonic frequencies to visualize the resulting waveform using Fourier synthesis....
When generating musical sound on a digital computer, it is important to have a good model whose para...
Several versions of Sinusoidal+Residual analysis/synthesis models have been developed for music appl...
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic P...
Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods...
When generating musical sound on a digital computer, it is important to have a good model whose para...
A commercially available Fourier synthesizer is used to add together various harmonics of 440 Hz a...
In Fourier synthesis, natural musical sounds are produced by summing time-varying sinusoids. Sounds ...
This paper describes sound creation without signal process-ing but with nonlinear differential equat...