Shakespeare\u2019s fame as the lodestar of English theatre was established in the late sixteenth century, when he emerged \u2013 initially alongside other Jacobean figures like Jonson and Fletcher \u2013 as a sort of modern playwriting Homer. Paradoxically, though, this canonization took place at a time that was highly unsympathetic to many aspects of Shakespearean theatre, from the bard\u2019s exuberant language to his sprawling plots. In order to play down the relevance of these aspects, therefore, such leading Restoration playwrights as Davenant and Tate embarked on the enterprise of rewriting Shakespeare\u2019s major works so as to fit them into the linguistic, dramatic and ideological norms of their time
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
We are used to thinking of translation as a prominent Elizabethan activity, remembering Matthiessen’...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
Shakespeare explores, like many English poets, the existential and ontological differences between t...
The true biography of Shakespeare - and the only one we really need to care about - is in the plays....
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
Inheriting the Stage: Pre-Interregnum Drama in the Restoration is a study of the intersection of Res...
Shakespeare inherited his understanding of 'language' from the Middle Ages. In the seventeenth centu...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
We are used to thinking of translation as a prominent Elizabethan activity, remembering Matthiessen’...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
The critics and playwrights of the Restoration had a problem with Shakespeare. They thought that his...
Shakespeare explores, like many English poets, the existential and ontological differences between t...
The true biography of Shakespeare - and the only one we really need to care about - is in the plays....
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
During the Restoration period, theatrical writing came to be definitively accepted as literature and...
Inheriting the Stage: Pre-Interregnum Drama in the Restoration is a study of the intersection of Res...
Shakespeare inherited his understanding of 'language' from the Middle Ages. In the seventeenth centu...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
Eubanks Winkler and Schoch reveal how – and why – the first generation to stage Shakespeare after Sh...
We are used to thinking of translation as a prominent Elizabethan activity, remembering Matthiessen’...
THE LONDON stage of 1667 was graced with the first presentation of The Tempest: or, The Enchanted I...