Add to ORKGThis paper deals with two short stories written by the New Zealand born writer Janet Frame both of which represent the figure of the author, grappling with her own failure. The author figure takes us behind the scenes of the writing process, into the workshop of her fiction, therefore transforming us readers into voyeurs, and possibly intruders into her very own home, that of fiction – a home within/behind the home
The first section of this thesis consists of a collect of original short fictions which encompass a...
This essay examines Janet Frame's early short story "The Lagoon", and argues that the story alludes...
Janet Frame's 1979 novel Living in the Maniototo features a ubiquitous narrator whose multiple perso...
Art and the initiation of the artist into the skills of her craft, along with the fiction making hab...
This article explores Frame’s ‘undecidability’, the modus operandi which collapses conventional bina...
International audienceThis essay proposes to analyse the way Janet Frame defamiliarises the conventi...
An introduction to a special focus in the Journal of Postcolonial Writing of three articles on the w...
The article is an analysis of a three-volume autobiography of a New Zealand writer, Janet Frame (192...
The reading habits of an author are always of interest, and in the case of Janet Frame, notoriously ...
Key words: Postcolonial literature, Alice Munro, short story, female artist, a woman writer ABSTRAC...
“Keel and Kool”, the first of Frame’s short stories in The Lagoon, is the fictionalized version of h...
New Zealand author Janet Frame was initially diagnosed with schizophrenia in 1945, during her stay i...
This short story arises out of my examination of the writings of one of New Zealand’s most signific...
Janet Frame came into uneasy collision with the ghost of Katherine Mansfield, the ‘godmother of New ...
Frequently referred to as New Zealand’s most famous and least public author, Janet Frame occupies a ...
The first section of this thesis consists of a collect of original short fictions which encompass a...
This essay examines Janet Frame's early short story "The Lagoon", and argues that the story alludes...
Janet Frame's 1979 novel Living in the Maniototo features a ubiquitous narrator whose multiple perso...
Art and the initiation of the artist into the skills of her craft, along with the fiction making hab...
This article explores Frame’s ‘undecidability’, the modus operandi which collapses conventional bina...
International audienceThis essay proposes to analyse the way Janet Frame defamiliarises the conventi...
An introduction to a special focus in the Journal of Postcolonial Writing of three articles on the w...
The article is an analysis of a three-volume autobiography of a New Zealand writer, Janet Frame (192...
The reading habits of an author are always of interest, and in the case of Janet Frame, notoriously ...
Key words: Postcolonial literature, Alice Munro, short story, female artist, a woman writer ABSTRAC...
“Keel and Kool”, the first of Frame’s short stories in The Lagoon, is the fictionalized version of h...
New Zealand author Janet Frame was initially diagnosed with schizophrenia in 1945, during her stay i...
This short story arises out of my examination of the writings of one of New Zealand’s most signific...
Janet Frame came into uneasy collision with the ghost of Katherine Mansfield, the ‘godmother of New ...
Frequently referred to as New Zealand’s most famous and least public author, Janet Frame occupies a ...
The first section of this thesis consists of a collect of original short fictions which encompass a...
This essay examines Janet Frame's early short story "The Lagoon", and argues that the story alludes...
Janet Frame's 1979 novel Living in the Maniototo features a ubiquitous narrator whose multiple perso...