Add to ORKGDrawing happens across space and time, and is action orientated by pen/pencil, inkjet or paint. The substrate that is drawn/marked on is also important, whether mylar, paper or sculptural instruments. Penelope Haralambidou explores her fellow Bartlett School of Architecture professor and office room-mate Nat Chard's Instrument 10, part of a longstanding iterative drawing and representation project
Perry Kulper Architect and Associate Professor of Architecture, University of Michigan SURFACE CAPAC...
Untitled is made of colored ink on paper. Artist\u27s Statement I am interested in maps and blueprin...
This paper discusses my personal trajectory and development in the act of generating art. The desire...
One of a series of small books published by the architecture school at Malaquais related to the ques...
Through a series of drawing instruments I discuss the drawing out of the creative act as an analogue...
Architects, urban planners, insurance agencies, and city codes will often position a structure that ...
This design research project explores the generative possibilities of composite drawing techniques. ...
In this paper I will explore how second-hand furniture parts inspire me to investigate form. I will ...
There is a close connection between the avant-garde—Dadaist, Surrealist, and Constructivist—use of i...
UnrestrictedThere are infinite permutations to make sense of the gaps between perception, communicat...
In this article I will discuss the intersection between art and neuroscience from the perspective of...
Drawn imagery is the backbone of my work as the line work from pen, pencil, or stylus is typically t...
Our entry will revolve around our curricular explorations to redefine drawing and drawing classes wi...
The work of this PhD explores critical drawing practices in architecture relating to the mediation a...
Drawing is a process by which the mind commits itself to ideas that can only be expressed visually, ...
Perry Kulper Architect and Associate Professor of Architecture, University of Michigan SURFACE CAPAC...
Untitled is made of colored ink on paper. Artist\u27s Statement I am interested in maps and blueprin...
This paper discusses my personal trajectory and development in the act of generating art. The desire...
One of a series of small books published by the architecture school at Malaquais related to the ques...
Through a series of drawing instruments I discuss the drawing out of the creative act as an analogue...
Architects, urban planners, insurance agencies, and city codes will often position a structure that ...
This design research project explores the generative possibilities of composite drawing techniques. ...
In this paper I will explore how second-hand furniture parts inspire me to investigate form. I will ...
There is a close connection between the avant-garde—Dadaist, Surrealist, and Constructivist—use of i...
UnrestrictedThere are infinite permutations to make sense of the gaps between perception, communicat...
In this article I will discuss the intersection between art and neuroscience from the perspective of...
Drawn imagery is the backbone of my work as the line work from pen, pencil, or stylus is typically t...
Our entry will revolve around our curricular explorations to redefine drawing and drawing classes wi...
The work of this PhD explores critical drawing practices in architecture relating to the mediation a...
Drawing is a process by which the mind commits itself to ideas that can only be expressed visually, ...
Perry Kulper Architect and Associate Professor of Architecture, University of Michigan SURFACE CAPAC...
Untitled is made of colored ink on paper. Artist\u27s Statement I am interested in maps and blueprin...
This paper discusses my personal trajectory and development in the act of generating art. The desire...