Maps help us make sense of people and landscapes around us. Music can do the same. Here Ross Purves (DMU) explores fascinating links between cartography and music. He will consider the map as a creative stimulus for music-making, as a tool for understanding musical behaviour and—drawing upon ongoing research—a means of highlighting inequities in musical participation. Introduced by Dr Barry Dufour, visiting Professor of Education Studies (DMU)
Why, as a geographer, I should have an interest in music – the simple answer to which is that it rel...
This thesis examines the co-constitutive relationship between music-making and place-making in Car...
In this article I investigate online sound mapping practices, taking cartophony – the coming togethe...
This presentation can be viewed on YouTube here: https://youtu.be/xUUZKsc2rUI?list=PLWeWxth3ChujkiG...
Annual Conference Training Symposium of Royal Geographic Society and Institute of British Geographer...
Though sound is at the center of music historical research, the sounds of the past remain elusive to...
How might geographers better understand the active, lived, on-the-ground experiences of musicians in...
Paris emerged at the end of the nineteenth century as a newly restructured city, after Baron Haussma...
When geographers attend debates generally taking part among other social sciences, they are often a...
The study of soundscapes encourages geographers to hear the world, paying attention to the diversity...
This study focuses on the nature of students’ musical expressions as they make meaning while listeni...
Today landscape and music interpenetrate in so many ways as taken for granted divisions break down, ...
This study explores the metaphorical relationship between the process of narrative inquiry and the p...
Digital Humanities Forum 2016, University of Kansas, October 1st, 2016: https://idrh.ku.edu/dhforum2...
Music is by nature geographical. Musical phrases have movement and direction, as though there are p...
Why, as a geographer, I should have an interest in music – the simple answer to which is that it rel...
This thesis examines the co-constitutive relationship between music-making and place-making in Car...
In this article I investigate online sound mapping practices, taking cartophony – the coming togethe...
This presentation can be viewed on YouTube here: https://youtu.be/xUUZKsc2rUI?list=PLWeWxth3ChujkiG...
Annual Conference Training Symposium of Royal Geographic Society and Institute of British Geographer...
Though sound is at the center of music historical research, the sounds of the past remain elusive to...
How might geographers better understand the active, lived, on-the-ground experiences of musicians in...
Paris emerged at the end of the nineteenth century as a newly restructured city, after Baron Haussma...
When geographers attend debates generally taking part among other social sciences, they are often a...
The study of soundscapes encourages geographers to hear the world, paying attention to the diversity...
This study focuses on the nature of students’ musical expressions as they make meaning while listeni...
Today landscape and music interpenetrate in so many ways as taken for granted divisions break down, ...
This study explores the metaphorical relationship between the process of narrative inquiry and the p...
Digital Humanities Forum 2016, University of Kansas, October 1st, 2016: https://idrh.ku.edu/dhforum2...
Music is by nature geographical. Musical phrases have movement and direction, as though there are p...
Why, as a geographer, I should have an interest in music – the simple answer to which is that it rel...
This thesis examines the co-constitutive relationship between music-making and place-making in Car...
In this article I investigate online sound mapping practices, taking cartophony – the coming togethe...