Using Collaborative Event Ethnography as a research method, a team of 21 researchers conducted fieldwork at the Antiques Roadshow in Ightham Mote, Kent. This article reflects on the experience of queuing at the event and how it was experienced and discussed by researchers and participants. Drawing upon Mol, the article approaches the practice of queuing as involving an inherent multiplicity of often contradictory experiences through which idealised, Second World War-related understandings of British queuing practice are simultaneously confirmed and challenged. Through multiple participants viewing the queue from within and outside we were able to capture the processes of community-building, curation, management, rule-maintenance and rule-be...
Museums show an increasing interest in participatory activities that open their premises and process...
ETHNOGRAPHIC EVENTS Lisa M Hayes and Jan C Robertson Dept. Sport & Leisure Studies, University of Wa...
The traditional way of engaging the public with the past has changed: now, through experimental arch...
Using Collaborative Event Ethnography as a research method, a team of 21 researchers conducted field...
This case study reports and reflects upon a project using Collaborative Event Ethnography (CEE) as, ...
This project report details the experiences of a student/staff collaborative research projectcarried...
This case study reports and reflects upon a project using Collaborative Event Ethnography (CEE) as, ...
LondonThis chapter explores participatory research from a post-structuralist philosophical perspecti...
This paper examines the (collective) performance of identities in an event context. During events, t...
"The Routledge Handbook of Events explores and critically evaluates the debates and controversies as...
Across non-commercial, state-funded cultural organisations in the UK it is a common practice to host...
Purpose: This study aims to consolidate and hone existing spectating and crowd theory. This is achie...
While cultural heritage institutions increasingly use participatory events to draw in new audiences,...
This research explores the interaction between internal heritage personnel and the public over socia...
There is an established body of literature on queuing, largely focused on operations management and ...
Museums show an increasing interest in participatory activities that open their premises and process...
ETHNOGRAPHIC EVENTS Lisa M Hayes and Jan C Robertson Dept. Sport & Leisure Studies, University of Wa...
The traditional way of engaging the public with the past has changed: now, through experimental arch...
Using Collaborative Event Ethnography as a research method, a team of 21 researchers conducted field...
This case study reports and reflects upon a project using Collaborative Event Ethnography (CEE) as, ...
This project report details the experiences of a student/staff collaborative research projectcarried...
This case study reports and reflects upon a project using Collaborative Event Ethnography (CEE) as, ...
LondonThis chapter explores participatory research from a post-structuralist philosophical perspecti...
This paper examines the (collective) performance of identities in an event context. During events, t...
"The Routledge Handbook of Events explores and critically evaluates the debates and controversies as...
Across non-commercial, state-funded cultural organisations in the UK it is a common practice to host...
Purpose: This study aims to consolidate and hone existing spectating and crowd theory. This is achie...
While cultural heritage institutions increasingly use participatory events to draw in new audiences,...
This research explores the interaction between internal heritage personnel and the public over socia...
There is an established body of literature on queuing, largely focused on operations management and ...
Museums show an increasing interest in participatory activities that open their premises and process...
ETHNOGRAPHIC EVENTS Lisa M Hayes and Jan C Robertson Dept. Sport & Leisure Studies, University of Wa...
The traditional way of engaging the public with the past has changed: now, through experimental arch...