The article will discuss the specific character of testimony about traumatic experiences of the World War II, particularly those from the concentration camps. Presented are the main points of view from the Anglo-American trauma theory regarding the modes of expressing such an experience (C. Caruth, H. White, D. La Capra). Through the example of the unpublished remembrances of Milojka Mezorana dealing with Auschwitz, we will discuss the relationship of a historiographer to a witness, and also the question of power established over the testimonial text when the same is used as a source of exact historiography knowledge. The status of testimony in historiography expands in range from its distanced use exclusively as a source of searchable data...
This article examines how representations of genocide are contained within an archive. In considerin...
This article sheds light on a literary practice that critics began to reflect upon in the twentieth ...
How can we “see” a visual archive of genocide? What are the possibilities –and limits—of testimonial...
Abstract This article discusses postwar efforts to document the survivor experience, which continue ...
Abstract The essay focuses on the relationship between memory and history, which has changed inmanyw...
It has taken many decades after 1945 for the testimony of Holocaust victims to be taken seriously. T...
This paper aims to deepen the relationship between testimony and historical reconstruc-tion putting ...
Revered by some artists and scholars as the origin of ‘experiential truth’ and contested by others i...
This study analyses and compares how survivors of the Nazi concentration camp of Mauthausen (Austria...
The University Archives has determined that this item is of continuing value to OSU's history.Tensio...
Revered by some artists and scholars as the origin of 'experiential truth' and contested by others i...
This article examines the categories of victim and perpetrator testimony in relation to the writing ...
How can severely traumatized persons re-present the past and its impact on the present if (due to bl...
Celebrating the twentieth anniversary of the groundbreaking Testimony, this collection brings togeth...
The article considers the contribution that discursive psychology can make to the study of accounts ...
This article examines how representations of genocide are contained within an archive. In considerin...
This article sheds light on a literary practice that critics began to reflect upon in the twentieth ...
How can we “see” a visual archive of genocide? What are the possibilities –and limits—of testimonial...
Abstract This article discusses postwar efforts to document the survivor experience, which continue ...
Abstract The essay focuses on the relationship between memory and history, which has changed inmanyw...
It has taken many decades after 1945 for the testimony of Holocaust victims to be taken seriously. T...
This paper aims to deepen the relationship between testimony and historical reconstruc-tion putting ...
Revered by some artists and scholars as the origin of ‘experiential truth’ and contested by others i...
This study analyses and compares how survivors of the Nazi concentration camp of Mauthausen (Austria...
The University Archives has determined that this item is of continuing value to OSU's history.Tensio...
Revered by some artists and scholars as the origin of 'experiential truth' and contested by others i...
This article examines the categories of victim and perpetrator testimony in relation to the writing ...
How can severely traumatized persons re-present the past and its impact on the present if (due to bl...
Celebrating the twentieth anniversary of the groundbreaking Testimony, this collection brings togeth...
The article considers the contribution that discursive psychology can make to the study of accounts ...
This article examines how representations of genocide are contained within an archive. In considerin...
This article sheds light on a literary practice that critics began to reflect upon in the twentieth ...
How can we “see” a visual archive of genocide? What are the possibilities –and limits—of testimonial...