This chapter briefly surveys some relevant aspects of current research into control of interactive (music) systems, putting into evidence research issues, achieved results, and problems that are still open for the future. A particular focus is on multimodal and cross-modal techniques for expressive control of sound and music processing and synthesis. The chapter will discuss a conceptual framework, the methodological aspects, the research perspectives. It will also present concrete examples and tools such as the EyesWeb XMI platform and the EyesWeb Expressive Gesture Processing Library
This chapter tries to trace a route that, starting from studies in ecological perception and action-...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...
This paper describes a technique of multimodal, multichannel control of electronic musical devices u...
This article examines differing approaches to the definition, classification and modelling of intera...
We present research that extends the scope of the mobile application Control, aprototyping environme...
Absent the complex and nuanced modes of activation inherent to the vibrational systems of acoustic i...
The fruition of musical score by means of multimedia systems requires a suitable model for automatic...
This thesis introduces a novel situated interactive composition system called the SMuSe (for Situate...
The EyesWeb system (www.eyesweb.org) is an open platform for real-time multimodal processing. It has...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This paper explores working methods and instrument design for musical performance sessions (studio a...
This paper describes musical experiments aimed at designing control structures for navigating comple...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
We present research that extends the scope of the mobile application Control, a prototyping environm...
This chapter tries to trace a route that, starting from studies in ecological perception and action-...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...
This paper describes a technique of multimodal, multichannel control of electronic musical devices u...
This article examines differing approaches to the definition, classification and modelling of intera...
We present research that extends the scope of the mobile application Control, aprototyping environme...
Absent the complex and nuanced modes of activation inherent to the vibrational systems of acoustic i...
The fruition of musical score by means of multimedia systems requires a suitable model for automatic...
This thesis introduces a novel situated interactive composition system called the SMuSe (for Situate...
The EyesWeb system (www.eyesweb.org) is an open platform for real-time multimodal processing. It has...
Creating and performing electroacoustic music utilising interactive systems is now a well-establishe...
This paper explores working methods and instrument design for musical performance sessions (studio a...
This paper describes musical experiments aimed at designing control structures for navigating comple...
Background in musicology. Understanding the gesture-based foundations of musical involvement open...
We present research that extends the scope of the mobile application Control, a prototyping environm...
This chapter tries to trace a route that, starting from studies in ecological perception and action-...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...
In this paper, we describe a set of hardware and software tools for creating musical controllers wit...