In de oratore cicero affirms that whoever acts inadequately to the times, to the places and to the people behaves like an ineptus. in the comic plots there is a special link between love and ineptia, stressed primarily by the sweetheart’s inability to control his behaviour and especially his words. this survey focuses in particular on the Plautus’ Mercator and on the terence’s Eunuchus
The authors, who are preparing the first complete edition of P.Herc. 986, offer a rereading of fr. 2...
The theme of the tyrant and the concatenation of his scelera is investigated in several passages fro...
In his comedies, Aristophanes attacks Hyperbolus some fifteen times; Plato the comic poet wrote an e...
In de oratore cicero affirms that whoever acts inadequately to the times, to the places and to the p...
In the Mercator’s prologue the necessity to tell the background overlaps the ethos of the lover, who...
Un procedimento retorico molto particolare come l’omoteleuto compare con una certa frequenza nel Dec...
The chiastic nexus between Socrates’ irony and its ridiculousness in the eyes of Thrasymachus permit...
This paper deals with the characterization and dramatic function of some personae in Menander's Miso...
La fonte della Coena Cypriani è comunemente individuata in un sermone di Zenone di Verona. In realtà...
An analysis of Plutarch’s narrative strategies in De genio Socratis and Erotikos reveals a remarkabl...
This essay analyses the dramatic and scenic role of groups of persons, people and crowds in the thea...
L’articolo parte da alcuni richiami alla tradizione di pensiero che, da Aristotele a Bergson, ha ins...
La ricerca si propone di indagare sul ruolo che gli oratori della latinità classica affidavano al ri...
L'originalità e l'importanza della drammaturgia di Ennio è provata dall'ammirazione di Cicerone. Enn...
The article offers an in-depth examination of traces of anonymous readers intervening on a Late Ant...
The authors, who are preparing the first complete edition of P.Herc. 986, offer a rereading of fr. 2...
The theme of the tyrant and the concatenation of his scelera is investigated in several passages fro...
In his comedies, Aristophanes attacks Hyperbolus some fifteen times; Plato the comic poet wrote an e...
In de oratore cicero affirms that whoever acts inadequately to the times, to the places and to the p...
In the Mercator’s prologue the necessity to tell the background overlaps the ethos of the lover, who...
Un procedimento retorico molto particolare come l’omoteleuto compare con una certa frequenza nel Dec...
The chiastic nexus between Socrates’ irony and its ridiculousness in the eyes of Thrasymachus permit...
This paper deals with the characterization and dramatic function of some personae in Menander's Miso...
La fonte della Coena Cypriani è comunemente individuata in un sermone di Zenone di Verona. In realtà...
An analysis of Plutarch’s narrative strategies in De genio Socratis and Erotikos reveals a remarkabl...
This essay analyses the dramatic and scenic role of groups of persons, people and crowds in the thea...
L’articolo parte da alcuni richiami alla tradizione di pensiero che, da Aristotele a Bergson, ha ins...
La ricerca si propone di indagare sul ruolo che gli oratori della latinità classica affidavano al ri...
L'originalità e l'importanza della drammaturgia di Ennio è provata dall'ammirazione di Cicerone. Enn...
The article offers an in-depth examination of traces of anonymous readers intervening on a Late Ant...
The authors, who are preparing the first complete edition of P.Herc. 986, offer a rereading of fr. 2...
The theme of the tyrant and the concatenation of his scelera is investigated in several passages fro...
In his comedies, Aristophanes attacks Hyperbolus some fifteen times; Plato the comic poet wrote an e...
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