From temples of sacred objects to repositories of colonial trophies and from monuments of civility to spaces for self-expression, the shape and the appeal of museums through history has been fashioned to hold particular collections of objects. Moreover the museums have been also designed to adapt to particular display techniques appropriate for a particular collection. In the last century, a period of structural reinvention in the design and shaping of the exhibitions, the museum making is challenging, creative, and complex. The ‘new museum making’ includes emotive exhibitions within communicative buildings in order to create ‘narrative experiences’ which integrate objects, spaces, and audience. Considering the recent developments in museum...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...
This peer-reviewed paper, given at the conference 'The Future of Museum and Galley Design', reviewed...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
Museums today find themselves within a mediatised society, where everyday life is conducted in a dat...
How are museums evolving in their mission of being institutions not anymore dedicated only to collec...
Museum is much more than a place for preserving artifacts and objects. Indeed, throughout history, t...
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for un...
Museum is much more than a place for preserving artifacts and objects. Indeed, throughout history, t...
Recently a growing recognition of partiality in the museological representation of community identit...
This introduction offers an accessible historiography of exhibition design and a new, three-part the...
As early as the second half of the nineteenth century, some major European cities have developed mus...
Recent changes in museums encompass the use of digital technology to display collections, create nar...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...
This peer-reviewed paper, given at the conference 'The Future of Museum and Galley Design', reviewed...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
From temples of sacred objects to repositories of colonial trophies and from monuments of civility t...
Museums today find themselves within a mediatised society, where everyday life is conducted in a dat...
How are museums evolving in their mission of being institutions not anymore dedicated only to collec...
Museum is much more than a place for preserving artifacts and objects. Indeed, throughout history, t...
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for un...
Museum is much more than a place for preserving artifacts and objects. Indeed, throughout history, t...
Recently a growing recognition of partiality in the museological representation of community identit...
This introduction offers an accessible historiography of exhibition design and a new, three-part the...
As early as the second half of the nineteenth century, some major European cities have developed mus...
Recent changes in museums encompass the use of digital technology to display collections, create nar...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...
This peer-reviewed paper, given at the conference 'The Future of Museum and Galley Design', reviewed...
The hypothesis of this article is that the authentic and auratic exhibited objects in museums enter ...