In Music and the Myth of Arcadia in Renaissance Italy, Giuseppe Gerbino situates the pastoral as a vital and influential genre in the cultural fabric of sixteenth-century Italy, countering a scholarly tradition that has tradition-ally minimized its importance. This book offers the first comprehensive investigation of pastoral music in sixteenth-century Italy, reclaiming it as a complex subject worthy of in-depth exploration. It is the most recent work in Cambridge University Press's New Perspectives in Music History and Criticism series, edited by Jeffrey Kallberg, Anthony Newcome, and Ruth Solie. Works in this series approach music and its history from innovative points of view, often challenging dominant narratives and discourses
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...
This study develops three themes. It sketches a cultural history of Rome from approximately 1620 to ...
Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian ...
Greek tragedy, their themes were pastoral, an archetype which antiquity failed to provide. In tracin...
situates the pastoral as a vital and influential genre in the cultural fabric of sixteenth-century I...
The Cambridge History of Music Criticism is the first study of music criticism on this scale, and is...
The seventeenth century was a period of significant innovations and developments in music theory, v...
Carlo Gesualdo Prince of Venosa’s sixth and final book of Italian madrigals has puzzled scholars sin...
grantor: University of TorontoPrescriptions for specific genres of musical composition be...
65 essays on Renaissance music. Topics: I. Composition and Counterpoint. II. Devotion: In Northern E...
The title of the presentation contains two elements: a citation (referring, of course, to Carlo Gesu...
2012-08-01This paper examines the pastoral genre as represented in operatic works from the early 18t...
Gesualdo’s compositional writing evolves throughout his six books of madrigals. While the first two ...
Rossini’s Italian operas enjoyed enormous success when they first appeared in early nineteenth-centu...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...
This study develops three themes. It sketches a cultural history of Rome from approximately 1620 to ...
Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian ...
Greek tragedy, their themes were pastoral, an archetype which antiquity failed to provide. In tracin...
situates the pastoral as a vital and influential genre in the cultural fabric of sixteenth-century I...
The Cambridge History of Music Criticism is the first study of music criticism on this scale, and is...
The seventeenth century was a period of significant innovations and developments in music theory, v...
Carlo Gesualdo Prince of Venosa’s sixth and final book of Italian madrigals has puzzled scholars sin...
grantor: University of TorontoPrescriptions for specific genres of musical composition be...
65 essays on Renaissance music. Topics: I. Composition and Counterpoint. II. Devotion: In Northern E...
The title of the presentation contains two elements: a citation (referring, of course, to Carlo Gesu...
2012-08-01This paper examines the pastoral genre as represented in operatic works from the early 18t...
Gesualdo’s compositional writing evolves throughout his six books of madrigals. While the first two ...
Rossini’s Italian operas enjoyed enormous success when they first appeared in early nineteenth-centu...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome ...
This study develops three themes. It sketches a cultural history of Rome from approximately 1620 to ...
Although Musicae artis disciplina (hereafter Musica) has long been associated with the same Italian ...