Add to ORKGReview of a book on the interaction between performance and landscape, focusing on Hibaldstow and North Lincolnshire. It includes extensive coverage of folklore topics, showing how traditions work, and what they mean to the participants and performers
Book review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennif...
In this second edition of The Literature Review, Diana Ridley provides increased guidance on evaluat...
This chapter uses fenland folklore as a way of thinking about the importance of the local. It argues...
Western Folklore is abstracted or indexed in Historical Abstracts, Music Index, Prepublication Onlin...
Throughout the world, the number of festivals has grown exponentially in the last two decades as peo...
There are fundamental differences between the various ontologies of Australian First Nations peoples...
Book review of: Our ancient national airs: Scottish song collecting from the Enlightenment to the Ro...
The following publication contains book reviews of these titles: Seth Giddings, (2014) Gameworlds: V...
Book review of: Singing Simpkin and other bawdy jigs, edited by Roger Clegg and Lucie Skeaping. Exet...
When reading a new book in this field it is always a good sign when it provides new insights and lea...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
When a group of amateur performers came together in 1968 to imagine how they might channel their lov...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
The following publication contains book reviews of these titles:- Seth Giddings, (2014) Gameworlds: ...
‘The conviviality of the narrative premise’ is Steven Earnshaw’s felicitous phrase for the theme tha...
Book review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennif...
In this second edition of The Literature Review, Diana Ridley provides increased guidance on evaluat...
This chapter uses fenland folklore as a way of thinking about the importance of the local. It argues...
Western Folklore is abstracted or indexed in Historical Abstracts, Music Index, Prepublication Onlin...
Throughout the world, the number of festivals has grown exponentially in the last two decades as peo...
There are fundamental differences between the various ontologies of Australian First Nations peoples...
Book review of: Our ancient national airs: Scottish song collecting from the Enlightenment to the Ro...
The following publication contains book reviews of these titles: Seth Giddings, (2014) Gameworlds: V...
Book review of: Singing Simpkin and other bawdy jigs, edited by Roger Clegg and Lucie Skeaping. Exet...
When reading a new book in this field it is always a good sign when it provides new insights and lea...
Excerpt: Bill C. Malone, well-known author of Country Music, USA, recently(1993) wrote another book...
When a group of amateur performers came together in 1968 to imagine how they might channel their lov...
At the centre of David Worrall’s Theatric Revolution a striking tableau is unveiled. It is around 18...
The following publication contains book reviews of these titles:- Seth Giddings, (2014) Gameworlds: ...
‘The conviviality of the narrative premise’ is Steven Earnshaw’s felicitous phrase for the theme tha...
Book review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennif...
In this second edition of The Literature Review, Diana Ridley provides increased guidance on evaluat...
This chapter uses fenland folklore as a way of thinking about the importance of the local. It argues...