Part 5b1 is a supplement to Part 5b of the New Historical Survey. Where Part 5b offered examples from Shaker and Mormon hymnals published between 1893 and 1909, Part 5b1 covers six earlier hymnals compiled and partly written by the Fillmores and published in Cincinnati between 1847 and 1893. The earliest of them, The Christian Psalmist, was co-authored by Silas W. Leonard and Augustus D. Fillmore; it combined standard notation with two other formats and was one of the commercially most successful American hymnals of the 19th century.Musi
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
Part 5b1 is a supplement to Part 5b of the New Historical Survey. Where Part 5b offered examples fro...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
Pieces with rising cadence gestures in Hymns of Praise: For the Church and Sunday School. Compiled b...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
With improvements in the lyrics, rhythms, emotional appeal, and overall quality of hymns, nineteenth...
This new documentation of traditional European and European-influenced music with ascending lines an...
How have hymns from the past formed and informed the “deep background” of hymnals and hymnody in the...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Hymn Tune Meditations for brass band published by The Salvation Army during the twentieth century st...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...
Part 5b1 is a supplement to Part 5b of the New Historical Survey. Where Part 5b offered examples fro...
Part 5b of this multi-part essay gathers compositions with ascending and upper-register cadence gest...
Part 4 of the New Historical Survey series covers the years 1780-1860. Part 4d samples hymn collecti...
Pieces with rising cadence gestures in Hymns of Praise: For the Church and Sunday School. Compiled b...
This essay supplements the Historical Survey Part 4b, which covered ascending cadence gestures in po...
With improvements in the lyrics, rhythms, emotional appeal, and overall quality of hymns, nineteenth...
This new documentation of traditional European and European-influenced music with ascending lines an...
How have hymns from the past formed and informed the “deep background” of hymnals and hymnody in the...
This is Part 2e of a multi-part essay gathering compositions with ascending lines and cadence gestur...
This is Part 3b of a multi-part essay gathering compositions with ascending lines and cadence gestur...
Hymn Tune Meditations for brass band published by The Salvation Army during the twentieth century st...
This continues Part 4 of a multi-part essay gathering compositions with ascending lines and upper-re...
Part 3a of a multi-part essay gathers compositions with ascending lines and upper-register cadence g...
This belongs to a multi-part essay series gathering compositions with ascending lines and upper-regi...
This essay continues from the Historical Survey Parts 4b & 4b2, which covered polkas between 1840 an...