The article studies the relationship between Italian emblems and the play Respublica written by Nicholas Udall for Queen Mary Tudor (1553). The analysis shows a strict relationship between Alciati’s and his followers’ emblem for the goddess Nemesis and Udall’s description of the same in the play. This allows to infer that the playwright was well aware of the contemporary iconography derived from classical mythology, thus revealing that continental emblems were known in England well before the first English translation of Alciati’s work (1586)
Imprese were born as individual symbols of noblemen and courtiers, expressing their particular ambit...
This essay compares some of Shakespeare's female characters to their equivalents in the sources from...
In this article we will present the emblematic genre, creation of the Italian AndreaAlciati in 16th ...
The article studies the relationship between Italian emblems and the play Respublica written by Nich...
The renowned book of emblems written by Andrea Alciati, Emblematum liber (1531), the first of its ki...
A very fashionable creation in modern Europe since the first edition of Andrea Alciato, the book of ...
In 1531, Andreas Alciatus published the first emblem book, Emblematum liber. It consisted of a seri...
Cull's essay analyzes the presence and function of emblematic images in the anonymous (though attrib...
A study of the life and works of the legal scholar and humanist, Andrea Alciato (1492-1550), the ori...
The article postulates that two famous paintings of the 17th century “The Surrender of Breda” by Di...
The English sixteenth century constitutes a double re-naissance, for it recovers both the Classical ...
When Portugal and Spain ruled the oceans and took possession of the known world, having divided it i...
The emblem is one of the most remarkable literary inventions of Renaissance humanism. The symbolic i...
The aim of the essay is to present medals which depict queen Kristina as the goddess Minerva. The mo...
An emblem is composed of three parts. Their Latin names are inscriptio, pictura and subscriptio. How...
Imprese were born as individual symbols of noblemen and courtiers, expressing their particular ambit...
This essay compares some of Shakespeare's female characters to their equivalents in the sources from...
In this article we will present the emblematic genre, creation of the Italian AndreaAlciati in 16th ...
The article studies the relationship between Italian emblems and the play Respublica written by Nich...
The renowned book of emblems written by Andrea Alciati, Emblematum liber (1531), the first of its ki...
A very fashionable creation in modern Europe since the first edition of Andrea Alciato, the book of ...
In 1531, Andreas Alciatus published the first emblem book, Emblematum liber. It consisted of a seri...
Cull's essay analyzes the presence and function of emblematic images in the anonymous (though attrib...
A study of the life and works of the legal scholar and humanist, Andrea Alciato (1492-1550), the ori...
The article postulates that two famous paintings of the 17th century “The Surrender of Breda” by Di...
The English sixteenth century constitutes a double re-naissance, for it recovers both the Classical ...
When Portugal and Spain ruled the oceans and took possession of the known world, having divided it i...
The emblem is one of the most remarkable literary inventions of Renaissance humanism. The symbolic i...
The aim of the essay is to present medals which depict queen Kristina as the goddess Minerva. The mo...
An emblem is composed of three parts. Their Latin names are inscriptio, pictura and subscriptio. How...
Imprese were born as individual symbols of noblemen and courtiers, expressing their particular ambit...
This essay compares some of Shakespeare's female characters to their equivalents in the sources from...
In this article we will present the emblematic genre, creation of the Italian AndreaAlciati in 16th ...