This paper is devoted to various ways of representation and interpretation of knowledge, information, communication and the mass media in the BBC series Sherlock (2010-2014). It also delineates the practices of shared creation and distribution of knowledge about the series among irs viewers. The practical context of the analysis is the rise of so-called quality TV; the theoretical one - the concept of the convergent culture and convergent character of the contemporary media uses
This study investigates a consumer's relationship with mass media and the cultivation of the consume...
There are monsters lurking around the man of the 21st century, some of them are coming from the outs...
Focussing on the technical process of transmission, this chapter conducts a media philosophical refl...
In its English context, Sherlock was a huge success when broadcast on BBC One. The series, however, ...
This paper considers BBC’s Sherlock (2010-2017) to intervene in debates on European identity and the...
Building on professor of psychology Kenneth Pargament’s claim that people actively seek to establish...
Studies about “Science on Television” have repeatedly dealt with the “eternal” tension between the m...
This book examines the complex ways in which television articulates ideas about DNA in the early 21s...
The BBC's Sherlock (2010–) has from its beginning played with canon and audience response. Its alter...
Both the original and BBC Sherlock Holmes rely on the science of deduction to solve crimes and dazzl...
The article describes changes in the topographic sphere of film, giving the example of British serie...
This paper considers BBC’s Sherlock (2010-2017) to intervene in debates on European identity and the...
In this article, television is reconsidered as a hybrid ‘repertoire’ of memory. It is demonstrated h...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
The authors are interested interested in television communication practices from production and gene...
This study investigates a consumer's relationship with mass media and the cultivation of the consume...
There are monsters lurking around the man of the 21st century, some of them are coming from the outs...
Focussing on the technical process of transmission, this chapter conducts a media philosophical refl...
In its English context, Sherlock was a huge success when broadcast on BBC One. The series, however, ...
This paper considers BBC’s Sherlock (2010-2017) to intervene in debates on European identity and the...
Building on professor of psychology Kenneth Pargament’s claim that people actively seek to establish...
Studies about “Science on Television” have repeatedly dealt with the “eternal” tension between the m...
This book examines the complex ways in which television articulates ideas about DNA in the early 21s...
The BBC's Sherlock (2010–) has from its beginning played with canon and audience response. Its alter...
Both the original and BBC Sherlock Holmes rely on the science of deduction to solve crimes and dazzl...
The article describes changes in the topographic sphere of film, giving the example of British serie...
This paper considers BBC’s Sherlock (2010-2017) to intervene in debates on European identity and the...
In this article, television is reconsidered as a hybrid ‘repertoire’ of memory. It is demonstrated h...
In the modern, overabundant information landscape, information is accessible on and across multiple ...
The authors are interested interested in television communication practices from production and gene...
This study investigates a consumer's relationship with mass media and the cultivation of the consume...
There are monsters lurking around the man of the 21st century, some of them are coming from the outs...
Focussing on the technical process of transmission, this chapter conducts a media philosophical refl...