International audienceThis article introduces a framework for musical analysis applied to electroacoustic improvisation. After an introduction about the benefits of interdisciplinary research and research-creation practice there is a description of the different domains of the framework: acoustic analysis, music analysis itself and the design of graphic representations. The framework is based on the extraction of information from the audio signal (music information retrieval) to create data representations, some of which are very efficient for music analysis, such as the brightness standard deviation or the self-similarity matrix. The last part of the article demonstrates the use of the framework on extracts of electroacoustic improvisation...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article presents some tools and methods to carry out transcriptions of el...
There is an arguable lack of activity and interest in the analysis of electroacoustic music when com...
This article presents some tools and methods to carry out transcriptions of electroacoustic music. I...
Electroacoustic music presents particular challenges to the analyst. Often the music is not notated,...
This paper reports on our (Arts and Humanities Research Council funded) project New Multimedia Tools...
Partant de la pratique de la transcription dans l’analyse des musiques électroacoustiques, cet artic...
The author will illustrate his personal proposal of analytical steps to follow in carrying out the a...
International audienceElectroacoustic improvisation exists since the beginning of concrete music in ...
International audienceElectroacoustic improvisation exists since the beginning of concrete music in ...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article introduces a framework for musical analysis applied to electroaco...
International audienceThis article presents some tools and methods to carry out transcriptions of el...
There is an arguable lack of activity and interest in the analysis of electroacoustic music when com...
This article presents some tools and methods to carry out transcriptions of electroacoustic music. I...
Electroacoustic music presents particular challenges to the analyst. Often the music is not notated,...
This paper reports on our (Arts and Humanities Research Council funded) project New Multimedia Tools...
Partant de la pratique de la transcription dans l’analyse des musiques électroacoustiques, cet artic...
The author will illustrate his personal proposal of analytical steps to follow in carrying out the a...
International audienceElectroacoustic improvisation exists since the beginning of concrete music in ...
International audienceElectroacoustic improvisation exists since the beginning of concrete music in ...
Gestural Improvisation is a type of free improvisation that aims to create short and long-term relat...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...
International audienceWhen, in 1998, I began my research into the analysis of electroacoustic music,...