Add to ORKGCurrent research focuses on the Senegalese drum language – Sabar. Sabar rhythms are derived from speech in Wolof and therefore represent verbal utterances. This paper reports a study that is meant to uncover regularities between Wolof units and Sabar strokes given a dataset collected in Senegal. Research materials include drum and speech recordings collected during field trips to Senegal. This data is analysed, and the first analysis is presented in the article
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...
Current research focuses on the Senegalese drum language – Sabar. Sabar rhythms are derived from spe...
In some African cultures, drumming is used for expressing linguistic meanings. Our research focuses ...
Senegalese drummers often recite improvised texts while playing, considering the texts to reflect th...
Senegalese drummers often recite improvised texts while playing, considering the texts to re-flect t...
Wolofal (from Wolof: Wolof language or ethnic group and ‘-al’: causative morpheme) is an Ajami writi...
Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum ...
Dùndún drum language is a practice of speech surrogacy employed by dùndún drummers in Yoruba culture...
Yorùbá dùndún drumming is an oral tradition which allows for manipulation of gliding pitch contours ...
The purpose of this study is to identify all the linguistic and extralinguistic facts that favor the...
In the Senegalese musical tradition, there is a big number of cultural expressions and publicevents ...
The bata is one of the most important and representative percussion traditions of the people in sout...
The Eve-speaking people of the Guinea Coast of West Africa are rightly renowned for their highly dev...
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...
Current research focuses on the Senegalese drum language – Sabar. Sabar rhythms are derived from spe...
In some African cultures, drumming is used for expressing linguistic meanings. Our research focuses ...
Senegalese drummers often recite improvised texts while playing, considering the texts to reflect th...
Senegalese drummers often recite improvised texts while playing, considering the texts to re-flect t...
Wolofal (from Wolof: Wolof language or ethnic group and ‘-al’: causative morpheme) is an Ajami writi...
Mbalax sound is characherised by Senegalese nder lead drum, sabar rhythm drum and tama talking drum ...
Dùndún drum language is a practice of speech surrogacy employed by dùndún drummers in Yoruba culture...
Yorùbá dùndún drumming is an oral tradition which allows for manipulation of gliding pitch contours ...
The purpose of this study is to identify all the linguistic and extralinguistic facts that favor the...
In the Senegalese musical tradition, there is a big number of cultural expressions and publicevents ...
The bata is one of the most important and representative percussion traditions of the people in sout...
The Eve-speaking people of the Guinea Coast of West Africa are rightly renowned for their highly dev...
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...
Among the Yoruba people of southwest Nigeria, dancers have the ability to relate not only to music a...