PENGKARYAAN FILM DOKUMENTER CORETAN SENI DIBALIK VANDALISME (Penerapan Teknik Dynamic Shot Dalam Film Dokumenter Coretan Seni Dibalik Vandalisme)

Miftahurrezky Kusuma Fathullah. NIM. 201710040311136. Communication Studies, Faculty of Social and Political Sciences, University of Muhammadiyah Malang, DOCUMENTARY FILM ART SCRIPTURES BEHIND VANDALISM (Application of Dynamic Shot Techniques in Documentary Films of Art Graffiti Behind Vandalism). Supervisor : Rahadi, M.Si The Documentary Art Graffiti Behind Vandalism applies an expository style where the main subject and supporting subjects are involved to be the storytellers. This film raises the issue of street art in Indonesia, which tells the story of two street art actors from the Malang Graffiti Movement community, Jidoet and Sidnatwo who want justice from freedom of expression in public spaces, but street art is often prosecuted and removed because it is always seen as a vandalism activity. . In this case, DOP tells the reality of street art actors in interpreting vandalism from their point of view by using dynamic shots. Through the application of dynamic shot techniques where DOP is positioned to record the original reality through the use of dynamic cinematography techniques. Dynamic shots also aim to support the characters and conflicts they face in order to give the audience the right impression. The film Graffiti Art Behind Vandalism has a duration of 19 minutes 41 seconds featuring Jidoet and Sidnatwo in carrying out their roles as street artists with the Malang Grafiiti Movement community. To maximize motion exploration on DOP cameras using camera techniques including handheld, follow, zooming, panning, still, framing, long take, two shot and combined with camera angle shooting positions, this is useful as a reinforcement for reality look (nuance) and mood (atmosphere). a mockumentary film