Careful observation of the landscape can trigger multiple reflections and critical as- sessments. In fact, paraphrasing Le Corbusier, seeing is not a passive act, but already contains the kernel of a project. This profound, multisensorial relationship sparks a knowledge-gathering process leading not only to an appreciation of the uniqueness, identity and inimitable nature of the site, but also to comprehension of its cultural and historical importance and relative significance. Drawing can be used to analyse what has been built by the hand of man and what nature itself has created, record- ing how it has been affected by the passing of the years and natural and artificial events. All these drawings –some more technical, others mo...
Landscape design has always been considered a cultural crossroad, an open reference, a welcoming and...
Three examples of the study and enhancement of the landscape in Italy are presented. The interdiscip...
In his essay Visualization and Cognition: Drawing Things Together (2012), Bruno Latour explains a c...
Learning from the ruins of the archaeological landscapes through the architectural drawing is an ess...
Regeneration is possible only when, like Carmine Gambardella said, “you create a genetic match betw...
Following the alterations generated by the industrialization process, guided by the continuous domin...
The landscape in Val Camonica, one of the biggest in the Alps, is a paradigm for its extensive envir...
Born from a desire to promote the Italian landscape by integrating its physical aesthetic with its c...
The current state of design is disorienting. The lack of adequate tools to rethink the architecture-...
This dossier opens up an observatory in the magazine Urbanistica aimed to find the Italian produc...
Landscape is territory, but a number of landscapes make up the territory and all of them are cultura...
This article questions the notion of natural heritage from the perspective of one of its symbolic re...
The medieval castles, scattered throughout the region, characterise the landscape due to their posit...
[EN] In the urban project of Le Corbusier the relationship between new and existing is opportunity o...
Introduction On the topic of Landscape, in any form, certain projects by Le Corbusier (LC) may be...
Landscape design has always been considered a cultural crossroad, an open reference, a welcoming and...
Three examples of the study and enhancement of the landscape in Italy are presented. The interdiscip...
In his essay Visualization and Cognition: Drawing Things Together (2012), Bruno Latour explains a c...
Learning from the ruins of the archaeological landscapes through the architectural drawing is an ess...
Regeneration is possible only when, like Carmine Gambardella said, “you create a genetic match betw...
Following the alterations generated by the industrialization process, guided by the continuous domin...
The landscape in Val Camonica, one of the biggest in the Alps, is a paradigm for its extensive envir...
Born from a desire to promote the Italian landscape by integrating its physical aesthetic with its c...
The current state of design is disorienting. The lack of adequate tools to rethink the architecture-...
This dossier opens up an observatory in the magazine Urbanistica aimed to find the Italian produc...
Landscape is territory, but a number of landscapes make up the territory and all of them are cultura...
This article questions the notion of natural heritage from the perspective of one of its symbolic re...
The medieval castles, scattered throughout the region, characterise the landscape due to their posit...
[EN] In the urban project of Le Corbusier the relationship between new and existing is opportunity o...
Introduction On the topic of Landscape, in any form, certain projects by Le Corbusier (LC) may be...
Landscape design has always been considered a cultural crossroad, an open reference, a welcoming and...
Three examples of the study and enhancement of the landscape in Italy are presented. The interdiscip...
In his essay Visualization and Cognition: Drawing Things Together (2012), Bruno Latour explains a c...