Shaping Film: A Quantitative Formal Analysis of Contemporary Empathy-Eliciting Hollywood Cinema

Previous research suggests that particular formal features of film, such as the use of close-ups, can affect the levels of empathy experienced by viewers. Because empathy is a key aspect of the audience's filmic experience, creative decisions in editing and cinematography may be motivated by the filmmaker's intention of eliciting empathy. The goal of this study was to investigate what film scenes intended to elicit empathy look like in terms of those visual formal features theoretically or empirically linked to viewer empathy and whether these features converge on something that might be dubbed an empathic style of cinema. Formal features included concern shot scale, face depiction, cut rate, camera perspective and angle, saturation, lighting, motion, and background clutter. Exploratory quantitative formal analyses of scenes sampled from contemporary popular empathy-eliciting Hollywood films (N = 100) revealed that such scenes are, at first glance, highly dissimilar in form. Further investigation through principal component analysis and correlational analysis, however, hinted not so much at a singular empathic style of cinema as it did at certain general principles, namely, the reduction of perceived distance through close-ups and face depiction, the balancing of arousing features with comprehensible levels of visual complexity, and the prioritization of coherence and reduced visual contrast to enable a smooth viewing experience