From early medieval bards to the bands of the 'Cool Cymru' era, this book looks at Welsh musical practices and traditions, the forces that have influenced and directed them, and the ways in which the idea of Wales as a 'musical nation' has been formed and embedded in popular consciousness in Wales and beyond. Beginning with early medieval descriptions of musical life in Wales, the book provides both an overarching study of Welsh music history and detailed consideration of the ideas, beliefs, practices and institutions that shaped it. Topics include the eisteddfod, the church and the chapel, the influence of the Welsh language and Welsh cultural traditions, the scholarship of the Celtic Revival and the folk song movement, the impacts of indu...
This thesis seeks to determine the relevance of the term 'Welsh composer' to the life and music of G...
Wales in the Middle Ages was a region both divided by war and united by culture. Frequent raids from...
In 1973, in an article provocatively titled ‘How Welsh is Welsh Music?’, Grace Williams made the fol...
This is an overview chapter covering the entire chronology of the book and touching on the topics to...
In the hundred years that saw the widest effects of industrialisation and immigration to Wales, the ...
This chapter challenges the idea that the nineteenth-century association of Wales with ‘song’ is an ...
Wales in the period c.1870-c.1920 was home to massive heavy industry, accompanied by a huge upsurge ...
In the 1960s, Welsh-language popular music emerged as a vehicle for mobilizing a geographically disp...
The centrality of congregational singing to nonconformist religious practice in Wales since the eigh...
Christianity, in its Catholic, Protestant and Nonconformist forms, has played an enormous role in th...
This chapter is shorter than the others and takes the form of a postscript devoted to the state and ...
Christianity arrived in Wales with the Romans and spread rapidly in the early medieval period. Evide...
This is the first general history of early modern Wales for more than a generation. The book assimil...
The chapter examines the relationships between music, sport and Welsh identity. Focusing on the nati...
The Welsh Revival of 1904-5 stands within a tradition that has characterized belief and theology in ...
This thesis seeks to determine the relevance of the term 'Welsh composer' to the life and music of G...
Wales in the Middle Ages was a region both divided by war and united by culture. Frequent raids from...
In 1973, in an article provocatively titled ‘How Welsh is Welsh Music?’, Grace Williams made the fol...
This is an overview chapter covering the entire chronology of the book and touching on the topics to...
In the hundred years that saw the widest effects of industrialisation and immigration to Wales, the ...
This chapter challenges the idea that the nineteenth-century association of Wales with ‘song’ is an ...
Wales in the period c.1870-c.1920 was home to massive heavy industry, accompanied by a huge upsurge ...
In the 1960s, Welsh-language popular music emerged as a vehicle for mobilizing a geographically disp...
The centrality of congregational singing to nonconformist religious practice in Wales since the eigh...
Christianity, in its Catholic, Protestant and Nonconformist forms, has played an enormous role in th...
This chapter is shorter than the others and takes the form of a postscript devoted to the state and ...
Christianity arrived in Wales with the Romans and spread rapidly in the early medieval period. Evide...
This is the first general history of early modern Wales for more than a generation. The book assimil...
The chapter examines the relationships between music, sport and Welsh identity. Focusing on the nati...
The Welsh Revival of 1904-5 stands within a tradition that has characterized belief and theology in ...
This thesis seeks to determine the relevance of the term 'Welsh composer' to the life and music of G...
Wales in the Middle Ages was a region both divided by war and united by culture. Frequent raids from...
In 1973, in an article provocatively titled ‘How Welsh is Welsh Music?’, Grace Williams made the fol...