Add to ORKGCataloged from PDF version of article.This study investigates the significance of metafiction, game, and visual literacy as they relate to today's changing practices of spectatorship. These concepts are elaborated in relation to the rebirth of the eighties' horror film genre 'stalker' as a selfreflexive text in the nineties. Scream (Wes Craven, 1996) is taken as the purest specimen of the 'new stalker' in which the abovementioned concepts can be observed with clarity.Anafarta, OrhanPh.D
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
Thesis (Ph.D.), English, Washington State UniversityThis dissertation examines the function and role...
thesisThe aim of this article is to offer a new perspective on why horror films exist and thrive wit...
This thesis is an ethnographic study of Year 9 school pupils' responses\ud to horror films, and, in ...
Contemporary horror movies are a reflection of different fears over different eras. Since 1982, ther...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic pers...
Movies is one of media that has it contributed to arrange or rearrange time and notion thus reveals...
This dissertation aims to locate the power and popularity of contemporary horror films in terms of a...
This dissertation aims to locate the power and popularity of contemporary horror films in terms of a...
This thesis builds upon the idea that in his films 9 (Nine) (2002), Ara (Space Between) (2008), Gölg...
textThis dissertation explores the embodied and sensory dimensions of fantastic film, those elements...
This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to appreh...
Reflexive art makes explicit the inherent connection between artistic process, intertextual context,...
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
Thesis (Ph.D.), English, Washington State UniversityThis dissertation examines the function and role...
thesisThe aim of this article is to offer a new perspective on why horror films exist and thrive wit...
This thesis is an ethnographic study of Year 9 school pupils' responses\ud to horror films, and, in ...
Contemporary horror movies are a reflection of different fears over different eras. Since 1982, ther...
This thesis examines horror films through an application of cultural analysis (primarily the work of...
This thesis explores the emotional experience of reading horror fiction from a cognitive-poetic pers...
Movies is one of media that has it contributed to arrange or rearrange time and notion thus reveals...
This dissertation aims to locate the power and popularity of contemporary horror films in terms of a...
This dissertation aims to locate the power and popularity of contemporary horror films in terms of a...
This thesis builds upon the idea that in his films 9 (Nine) (2002), Ara (Space Between) (2008), Gölg...
textThis dissertation explores the embodied and sensory dimensions of fantastic film, those elements...
This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to appreh...
Reflexive art makes explicit the inherent connection between artistic process, intertextual context,...
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
This qualitative thesis examines levels of pessimism as they relate to modern and postmodern horror ...
Thesis (Ph.D.), English, Washington State UniversityThis dissertation examines the function and role...