International audiencePost-war Japanese science fiction's fascination with the imagination of disaster relates to historical reality in a complex fashion. Focusing on a work of the acclaimed representative of zero nendai (2000's) Japanese science fiction, Itô Keikaku's Harmony, this paper explores another possible view on historical reality: a future world where human experience has been made self-evident through (nano-) technological means. Harmony offers a bleak vision of a transhumanist future triggered by a nuclear disaster that compelled world leaders to replace governments with medical administrations. These 'admedistrations' monitor and keep humans in perfect health within a frighteningly benevolent society to which they cannot fully...
This article takes the notion of the ‘disaster utopia’ as a starting point for reconsidering the imp...
At the beginning, there is the discovery in January 2012 of a real project: the future building of a...
In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Mus...
International audiencePost-war Japanese science fiction's fascination with the imagination of disast...
From the impacts of 3·11 disasters, we are obliged to reflect on our ways of life with respect to th...
This paper seeks to analyse the role of technology and memory in Kawakami Hiromi’s novel Ōkina torin...
Nanotechnology has emergerd as a rapidly growing field whose dynamics and prospects pose many challe...
International audienceFukushima 50, a movie directed by Setsurô Wakamatsu in 2020, reconstructs the ...
The recourse to Science-fiction in the public discussion on nanotechnologies : anticipation and futu...
subtle incremental movements over time add up to decisive transformations of our cultural topography...
Contains fulltext : 48925.pdf (publisher's version ) (Closed access)Nanotechnology...
In this book, the philosopher Jean-Luc Nancy examines the nature of catastrophes in the era of globa...
Prix spécial du Jury pour le 8ème concours de critique de science fiction japonaiseNational audience...
New information and communication technologies (ICTs) are reshaping our lives and the environments i...
This article takes the notion of the ‘disaster utopia’ as a starting point for reconsidering the imp...
At the beginning, there is the discovery in January 2012 of a real project: the future building of a...
In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Mus...
International audiencePost-war Japanese science fiction's fascination with the imagination of disast...
From the impacts of 3·11 disasters, we are obliged to reflect on our ways of life with respect to th...
This paper seeks to analyse the role of technology and memory in Kawakami Hiromi’s novel Ōkina torin...
Nanotechnology has emergerd as a rapidly growing field whose dynamics and prospects pose many challe...
International audienceFukushima 50, a movie directed by Setsurô Wakamatsu in 2020, reconstructs the ...
The recourse to Science-fiction in the public discussion on nanotechnologies : anticipation and futu...
subtle incremental movements over time add up to decisive transformations of our cultural topography...
Contains fulltext : 48925.pdf (publisher's version ) (Closed access)Nanotechnology...
In this book, the philosopher Jean-Luc Nancy examines the nature of catastrophes in the era of globa...
Prix spécial du Jury pour le 8ème concours de critique de science fiction japonaiseNational audience...
New information and communication technologies (ICTs) are reshaping our lives and the environments i...
This article takes the notion of the ‘disaster utopia’ as a starting point for reconsidering the imp...
At the beginning, there is the discovery in January 2012 of a real project: the future building of a...
In the summer following the earthquake, tsunami and nuclear disaster of March 2011, the Mori Art Mus...