The human experience of war is not only remembered by societies through memorials, but also through the depiction of wars and important battles of respective national histories on screen. Very often, the image presented is related to existent semiotics, and the respective sign systems determine the image of heroic actions and violence on the screen. The present volume provides a deeper insight into the forces at play when war films are presented on the big screen and intends to show why and how violent conflicts often have an afterlife as visual media as well
War has been a common topic of films ever since they first appeared in the early 20th century. Over ...
Saving Private Ryan. War and (vs) memory The analysis is concerned with the re...
This article constitutes an initial step towards linking the field of conflict resolution with the f...
The human experience of war is not only remembered by societies through memorials, but also through ...
This thesis considers the role that Hollywood war movies have played in the representation of war an...
Film is a separate work of art that is full of concepts, ideologies, and certain ideas that can be i...
This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles S...
In this project I explore visual representation, abstraction, and the interpretation of violence as ...
Considering three periods in history – World Wars I and II and their interim, the Vietnam War, and t...
Includes bibliographical references (leaves 18-19)Through a series of computer-generated, large-form...
The purpose of work is analyze the historical and cultural factors of the formation of the cinematic...
This thesis examines war trauma in film; it is a comparative reading that aims to study the relation...
This thesis examines war trauma in film; it is a comparative reading that aims to study the relation...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
This collection of essays explores ways in which visual cultures have engaged with armed conflict an...
War has been a common topic of films ever since they first appeared in the early 20th century. Over ...
Saving Private Ryan. War and (vs) memory The analysis is concerned with the re...
This article constitutes an initial step towards linking the field of conflict resolution with the f...
The human experience of war is not only remembered by societies through memorials, but also through ...
This thesis considers the role that Hollywood war movies have played in the representation of war an...
Film is a separate work of art that is full of concepts, ideologies, and certain ideas that can be i...
This study examined the hostile cues in the Avengers: Endgame film. The semiotic theory of Charles S...
In this project I explore visual representation, abstraction, and the interpretation of violence as ...
Considering three periods in history – World Wars I and II and their interim, the Vietnam War, and t...
Includes bibliographical references (leaves 18-19)Through a series of computer-generated, large-form...
The purpose of work is analyze the historical and cultural factors of the formation of the cinematic...
This thesis examines war trauma in film; it is a comparative reading that aims to study the relation...
This thesis examines war trauma in film; it is a comparative reading that aims to study the relation...
The Sri Lankan film industry, which many describe as modest and ailing, has mirrored the country’s p...
This collection of essays explores ways in which visual cultures have engaged with armed conflict an...
War has been a common topic of films ever since they first appeared in the early 20th century. Over ...
Saving Private Ryan. War and (vs) memory The analysis is concerned with the re...
This article constitutes an initial step towards linking the field of conflict resolution with the f...