Colour, immateriality & uncertainty in painting

The objective of the research paper is to explore the theoretical concerns raised in the studio work. The paper discusses concerns such as colour activity and perception; the interdependence of the material and the immaterial in painting; and the uncertainty inherent in the process of painting and how that relates to wider experiences of uncertainty. The discussion focuses on the practice of artists who engage with such concerns, comparing and highlighting commonalities in their work, the objective being to articulate the central concerns of my own practice and in doing so, po-sition it within the discourse of contemporary painting