In this paper I examine a set of exceptional aesthetic experiences that remove us from our pragmatic everyday life and involve a specific type of unaffordability. I then extend this notion of unaffordability to experiences of awe and its relation to the sublime. My analysis is guided by considerations of the phenomenologically inspired enactivist approach that supports an affordance-based accounts of aesthetic experience. I review some recent neurophenomenological studies of the experience of awe, and I then sketch out a phenomenology of awe as it approaches the sublime
ABSTRACT: By deepening these two themes of the world that surrounds us we find an aesthetics of the ...
As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, o...
In aesthetics\u2019 history, sublime is a very controversial category. It can be defined as a feelin...
In this paper I examine a set of exceptional aesthetic experiences that remove us from our pragmatic...
International audienceAwe seems to be a complex emotion or emotional construct characterized by a mi...
International audienceThe sublime emerges in the history of philosophy as the object of an aesthetic...
International audienceAesthetics, both in its theoretical and empirical forms, has seen a renewed in...
International audienceThere is a growing literature on the role of aesthetic values, experiences and...
Motivating this article is an interest in how postphenomenological technical relations participate i...
While the sublime aesthetic has a long and complex critical history, it is nonetheless a schizophren...
This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. N...
The sublime has occupied a special space in aesthetic theory since Burke’s classic A Philosophical E...
Although much has been written on the phenomena and aesthetics of the sublime, especially over the p...
The sublime and the beautiful are two of the oldest, most discussed categories of aesthetic experien...
The Sublime in a phenomenological sense: The Affective Bodily Experience of Space The aim of the fol...
ABSTRACT: By deepening these two themes of the world that surrounds us we find an aesthetics of the ...
As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, o...
In aesthetics\u2019 history, sublime is a very controversial category. It can be defined as a feelin...
In this paper I examine a set of exceptional aesthetic experiences that remove us from our pragmatic...
International audienceAwe seems to be a complex emotion or emotional construct characterized by a mi...
International audienceThe sublime emerges in the history of philosophy as the object of an aesthetic...
International audienceAesthetics, both in its theoretical and empirical forms, has seen a renewed in...
International audienceThere is a growing literature on the role of aesthetic values, experiences and...
Motivating this article is an interest in how postphenomenological technical relations participate i...
While the sublime aesthetic has a long and complex critical history, it is nonetheless a schizophren...
This dissertation traces the phenomenon we call the sublime as it relates to the lived experience. N...
The sublime has occupied a special space in aesthetic theory since Burke’s classic A Philosophical E...
Although much has been written on the phenomena and aesthetics of the sublime, especially over the p...
The sublime and the beautiful are two of the oldest, most discussed categories of aesthetic experien...
The Sublime in a phenomenological sense: The Affective Bodily Experience of Space The aim of the fol...
ABSTRACT: By deepening these two themes of the world that surrounds us we find an aesthetics of the ...
As opposed to Melchionne and Naukkarinen, I defend an expansive definition of everyday aesthetics, o...
In aesthetics\u2019 history, sublime is a very controversial category. It can be defined as a feelin...