In this article, I look at the “ordinary” (or “everyday”) archive of the racially oppressed, viewing it as an entry point into apartheid afterlives, while arguing for a rethinking of humanness and freedom after racial oppression. I consider the photographs produced by “Movie Snaps” – a street photographic studio of Cape Town, South Africa, that operated between the 1930s and the 1980s – and suggest that looking to previously marginalised narratives can offer insight into larger questions of self-representation, belonging and freedom. The contents of this article are based on a larger research project on forced removals in Cape Town, out of which several exhibitions and two documentary films have been produced to date.http://www.imag...
Present-day South Africa is still characterised by colonial- and apartheid-era patterns of urban dis...
Taking Santu Mofokeng’s The Black Photo Album as a starting point indicative of the medium’s multipl...
This article discusses apartheid-era urban redevelopment in Cape Town,South Africa, and the forced r...
South Africa in 2018 finds itself at yet another crossroads with a changing of the presidential guar...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in ...
In the mid-1990s, Jacques Derrida’s book Archive Fever (1995) sparked a lively theoretical debate th...
The photographic implement, from the earliest days of its invention in Europe, in 1839, has been use...
This article gives an account of the praxis of cape town’s district six museum in relation to the re...
In the early 1950s Bryan Heseltine made a striking series of photographs in a number of townships an...
This article explores the socio-political imperative and psychosocial value of re-engaging and expan...
This thesis engages with the ongoing debate regarding how photographs can co...
CARGC Paper 16, Freeing Freedom: Decentering Dominant Narratives of Freedom in Post-Apartheid South...
In post-apartheid South Africa there has been an ongoing process of renegotiating history since the ...
My research analyses the ways in which notions of ‘identity’, ‘memory’ and ‘freedom’ are addressed b...
Present-day South Africa is still characterised by colonial- and apartheid-era patterns of urban dis...
Taking Santu Mofokeng’s The Black Photo Album as a starting point indicative of the medium’s multipl...
This article discusses apartheid-era urban redevelopment in Cape Town,South Africa, and the forced r...
South Africa in 2018 finds itself at yet another crossroads with a changing of the presidential guar...
South Africans today inhabit a fragmented and discontinuous landscape, often despite their most cosm...
Thesis submitted in fulfilment of the requirements for the degree Master of Technology: Design in ...
In the mid-1990s, Jacques Derrida’s book Archive Fever (1995) sparked a lively theoretical debate th...
The photographic implement, from the earliest days of its invention in Europe, in 1839, has been use...
This article gives an account of the praxis of cape town’s district six museum in relation to the re...
In the early 1950s Bryan Heseltine made a striking series of photographs in a number of townships an...
This article explores the socio-political imperative and psychosocial value of re-engaging and expan...
This thesis engages with the ongoing debate regarding how photographs can co...
CARGC Paper 16, Freeing Freedom: Decentering Dominant Narratives of Freedom in Post-Apartheid South...
In post-apartheid South Africa there has been an ongoing process of renegotiating history since the ...
My research analyses the ways in which notions of ‘identity’, ‘memory’ and ‘freedom’ are addressed b...
Present-day South Africa is still characterised by colonial- and apartheid-era patterns of urban dis...
Taking Santu Mofokeng’s The Black Photo Album as a starting point indicative of the medium’s multipl...
This article discusses apartheid-era urban redevelopment in Cape Town,South Africa, and the forced r...