Cleo is a mixed topography style painting that depicts the Queen of Egypt, Cleopatra VII, the lover of Julius Caesar and the last ruler Pharaoh of Ancient Egypt. On the Perspex (image on the left), Coetzee uses his well-known pyramid shapes with a stellar reference. In this case he refers to the strange-shaped asteroid 216 Kleopatra, which can be seen in the bottom left of the painting.University of Pretoria Museum Winter Exhibitio
Iconography in the Renaissance was an influential tool for individuals to portray and retain power. ...
The aim of this research is to study the types of crowns worn by Cleopatra VII. The paper explores t...
Profile view (wide angle lens), depicting the entire south face (Khufu pyramid in background and res...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
This painted Sphinx from Mars is a portrait of Armide, a ballet character from Le Pavillon d'Armid...
There are few women in history as famous as Queen Cleopatra VII of Egypt. Her political cunning and ...
In Coetzee's Pompeian Lady there are some aspects of typical Neo-classical paintings of women from t...
The purpose of this paper is to examine the history of Cleopatra VII, as well as how and why she wan...
Coetzee painted Anubis, the Egyptian god of the afterlife, which is considered to be an example of...
Plaster cast of a relief depicting the pharaoh Cleopatra VII as the goddess Isis, from the Ptolemaic...
This thesis examines the numismatic portraits of Cleopatra VII, the last Ptolemaic queen of Egypt, f...
Cleopatra may be the most famous woman of ancient Egypt, but far more significant was Hatshepsut, a ...
Coetzee was known to revisit miniature and small portraits throughout his lifetime. Head depicts the...
Two Egyptian artefacts from the first millennium BC have recently been acquired by the Museum ...
This Hermetic style painting of a portrait of Ulysses was reworked by Coetzee in 1988 in his mixed t...
Iconography in the Renaissance was an influential tool for individuals to portray and retain power. ...
The aim of this research is to study the types of crowns worn by Cleopatra VII. The paper explores t...
Profile view (wide angle lens), depicting the entire south face (Khufu pyramid in background and res...
Coetzee created this Egyptian bust for the 1987 Randse Afrikaanse Universiteit Prestige Exhibition...
This painted Sphinx from Mars is a portrait of Armide, a ballet character from Le Pavillon d'Armid...
There are few women in history as famous as Queen Cleopatra VII of Egypt. Her political cunning and ...
In Coetzee's Pompeian Lady there are some aspects of typical Neo-classical paintings of women from t...
The purpose of this paper is to examine the history of Cleopatra VII, as well as how and why she wan...
Coetzee painted Anubis, the Egyptian god of the afterlife, which is considered to be an example of...
Plaster cast of a relief depicting the pharaoh Cleopatra VII as the goddess Isis, from the Ptolemaic...
This thesis examines the numismatic portraits of Cleopatra VII, the last Ptolemaic queen of Egypt, f...
Cleopatra may be the most famous woman of ancient Egypt, but far more significant was Hatshepsut, a ...
Coetzee was known to revisit miniature and small portraits throughout his lifetime. Head depicts the...
Two Egyptian artefacts from the first millennium BC have recently been acquired by the Museum ...
This Hermetic style painting of a portrait of Ulysses was reworked by Coetzee in 1988 in his mixed t...
Iconography in the Renaissance was an influential tool for individuals to portray and retain power. ...
The aim of this research is to study the types of crowns worn by Cleopatra VII. The paper explores t...
Profile view (wide angle lens), depicting the entire south face (Khufu pyramid in background and res...