Add to ORKGThis thesis hopes to highlight how a particular film phenomenon in early twenty-first century France demonstrates the concepts of traumatic affect eloquently through its aesthetic and formal tendencies. Commonly known as New French Extremity, this phenomenon touched on transgressive subjects in extreme and often viscerally challenging ways. This work into New French Extremity hopes to bring about a broader understanding of how art communicates traumatic memory through formal elements of storytelling. Ultimately this research seeks to better understand how bodily experience is affectively contagious and how cinema facilitates this communication through formal and aesthetic means
This investigation identifies and describes what I uniquely term the “diaspora of trauma” as it emer...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...
New French Extremity films are violent, transgressive, and break many social taboos in their narrati...
New French Extremity films are violent, transgressive, and break many social taboos in their narrati...
This thesis will investigate and examine the French theatre The Grand-Guignol (1897-1962) and the fi...
This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to appreh...
In this thesis, the different aspects of trauma are discussed at length while looking at the French ...
In this thesis, the different aspects of trauma are discussed at length while looking at the French ...
(Statement of Responsibility) by Ariel Sartori Amsberry(Thesis) Thesis (B.A.) -- New College of Fl...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
(Statement of Responsibility) by Ariel Sartori Amsberry(Thesis) Thesis (B.A.) -- New College of Fl...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
Trauma is by its very nature an unnameable entity, one that defies language and instead exists in th...
The thesis investigates how to effectively address (through visual art) events of war and traumatic ...
This investigation identifies and describes what I uniquely term the “diaspora of trauma” as it emer...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...
New French Extremity films are violent, transgressive, and break many social taboos in their narrati...
New French Extremity films are violent, transgressive, and break many social taboos in their narrati...
This thesis will investigate and examine the French theatre The Grand-Guignol (1897-1962) and the fi...
This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to appreh...
In this thesis, the different aspects of trauma are discussed at length while looking at the French ...
In this thesis, the different aspects of trauma are discussed at length while looking at the French ...
(Statement of Responsibility) by Ariel Sartori Amsberry(Thesis) Thesis (B.A.) -- New College of Fl...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
(Statement of Responsibility) by Ariel Sartori Amsberry(Thesis) Thesis (B.A.) -- New College of Fl...
The film emerged from a wider, AHRC-funded practice-as-research PhD entitled Affective Cinema, which...
Trauma is by its very nature an unnameable entity, one that defies language and instead exists in th...
The thesis investigates how to effectively address (through visual art) events of war and traumatic ...
This investigation identifies and describes what I uniquely term the “diaspora of trauma” as it emer...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...
This article analyses audience responses to two creative works inspired by traumatic loss -- the fir...