A model based on the interaural cross-correlation coefficient (IACC) has been developed that aims to predict the perceived source width of a wide range of sounds. The following factors differentiate it from more commonly used IACC-based measurements: the use of a running measurement to quantify variations in width over time; half-wave rectification and low pass filtering of the input signal to mimic the breakdown of phase locking in the ear; compensation for the frequency and loudness dependency of perceived width; combination of a model of perceived location with a model of perceived width; and conversion of the results to an intuitive scale. Objective and subjective methods have been used to evaluate the accuracy and limitations of the re...
This research aims ultimately to develop objective hearing models that can predict the attributes of...
We present a highly efficient filter structure to create power-complementary filter pairs for phanto...
Audio systems and recordings are optimized for listening at the ’sweet spot’, but how well do they w...
A model based on the interaural cross-correlation coefficient (IACC) has been developed that aims to...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
A measurement model based on the interaural cross-correlation coefficient (IACC) that attempts to pr...
Previous research has indicated that the relationship between the interaural cross-correlation coeff...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
Phantom sources are known to be perceived similar to real sound sources but with some differences. O...
Phantom sources are known to be perceived similar to real sound sources but with some differences. O...
Experiments were undertaken to elicit the perceived effects of head-position-dependent variations in...
Typically, measurements that aim to predict perceived spatial impression of music signals in concert...
Measurements that attempt to predict the perceived spatial impression of musical signals in concert ...
One of the most noticeable perceptual effects of interchannel crosstalk in multichannel microphone t...
The perceptions of ASW and LEV at different source-listener distances in a reverberant soundfield we...
This research aims ultimately to develop objective hearing models that can predict the attributes of...
We present a highly efficient filter structure to create power-complementary filter pairs for phanto...
Audio systems and recordings are optimized for listening at the ’sweet spot’, but how well do they w...
A model based on the interaural cross-correlation coefficient (IACC) has been developed that aims to...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
A measurement model based on the interaural cross-correlation coefficient (IACC) that attempts to pr...
Previous research has indicated that the relationship between the interaural cross-correlation coeff...
Auditory width measurements based on the interaural cross-correlation coefficient (IACC) are often u...
Phantom sources are known to be perceived similar to real sound sources but with some differences. O...
Phantom sources are known to be perceived similar to real sound sources but with some differences. O...
Experiments were undertaken to elicit the perceived effects of head-position-dependent variations in...
Typically, measurements that aim to predict perceived spatial impression of music signals in concert...
Measurements that attempt to predict the perceived spatial impression of musical signals in concert ...
One of the most noticeable perceptual effects of interchannel crosstalk in multichannel microphone t...
The perceptions of ASW and LEV at different source-listener distances in a reverberant soundfield we...
This research aims ultimately to develop objective hearing models that can predict the attributes of...
We present a highly efficient filter structure to create power-complementary filter pairs for phanto...
Audio systems and recordings are optimized for listening at the ’sweet spot’, but how well do they w...