In the county of Surrey, England, Dame Ethel Smyth has something of the status of a local hero. Blue plaques adorn all three of the buildings in which she lived. She was the face of a recent #WeAreWoking campaign, her likeness appearing on many a poster in the area. Less than a year ago, Woking Community Play Association wrote and performed a charming play about her life. But just how did an army general’s daughter from an obscure Surrey village rise to attain international success as one of the greatest British composers of her generation—and, moreover, during a period in which the notion of a woman writing large-scale works such as operas was all but unheard of
As debates raged about the parlous state of English opera in the first decades of the 20th century, ...
Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a G...
In English music it is difficult to find any clearly defined period between Purcell and the beginni...
The life of Dame Ethel Smyth (1858-1944) was both musically prolific and unconventional. In spite of...
Dame Ethel Smyth (1858–1944) was a pathbreaking composer of immense importance to the revitalisation...
On 2 May 1913, Emmeline Pankhurst – having recently been released from prison under the so-called ‘C...
Programme notes for Ethel Smyth, ‘On the Cliffs of Cornwall’ (Prelude to Act 2 of The Wreckers) and ...
The Mass in D is an extension of Smyth's personality--powerful, colorful, and gifted. This thesis fi...
The Victorian woman composer occupied a culturally contentious position in relation to the performan...
Dame Ethel Smyth (1858–1944) was one of the leading composers of English opera of her generation. Bo...
Programme notes for Ethel Smyth, Mass in D and biographical profile of the composer, BBC Symphony Or...
viii, 180 leaves :ill. ; 30 cm. Includes bibliographical references. University of Otago department:...
Published version: Christopher Wiley, ‘Music and Literature: Ethel Smyth, Virginia Woolf, and “The F...
Music a Permanent Art Sir Thomas Beecham Has His Say: A Striking Feuilleton Upon England\u27s Distin...
The influential American composer Amy Beach wrote in 1915, “Our composers owe an immense debt of gra...
As debates raged about the parlous state of English opera in the first decades of the 20th century, ...
Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a G...
In English music it is difficult to find any clearly defined period between Purcell and the beginni...
The life of Dame Ethel Smyth (1858-1944) was both musically prolific and unconventional. In spite of...
Dame Ethel Smyth (1858–1944) was a pathbreaking composer of immense importance to the revitalisation...
On 2 May 1913, Emmeline Pankhurst – having recently been released from prison under the so-called ‘C...
Programme notes for Ethel Smyth, ‘On the Cliffs of Cornwall’ (Prelude to Act 2 of The Wreckers) and ...
The Mass in D is an extension of Smyth's personality--powerful, colorful, and gifted. This thesis fi...
The Victorian woman composer occupied a culturally contentious position in relation to the performan...
Dame Ethel Smyth (1858–1944) was one of the leading composers of English opera of her generation. Bo...
Programme notes for Ethel Smyth, Mass in D and biographical profile of the composer, BBC Symphony Or...
viii, 180 leaves :ill. ; 30 cm. Includes bibliographical references. University of Otago department:...
Published version: Christopher Wiley, ‘Music and Literature: Ethel Smyth, Virginia Woolf, and “The F...
Music a Permanent Art Sir Thomas Beecham Has His Say: A Striking Feuilleton Upon England\u27s Distin...
The influential American composer Amy Beach wrote in 1915, “Our composers owe an immense debt of gra...
As debates raged about the parlous state of English opera in the first decades of the 20th century, ...
Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a G...
In English music it is difficult to find any clearly defined period between Purcell and the beginni...