This chapter draws from the work of the US performance company, Goat Island and the philosophy of Deleuze and Guattari to develop the concept of the ‘differential self’: a self preceded and ceaselessly (re-)constituted by its relations. It argues that the differential self requires us to expand the definition of collaboration – not simply as work by more than one person, but a continuum of activities by individual authors, as well as groups. The chapter proposes that Deleuze and Guattari, and Goat Island, dismantle the (real) myth of individual autonomy through collaborative activity, but that this is not tantamount to a rejection of a natural self-presence. It concludes that philosophy and performance are not the products of pre-existing s...
In this thesis, I shall explore the possibility of offering a non-reductive theory of group minds an...
This is a book about collaboration in the arts, which explores how working together seems to achieve...
The original abstract for this text was written in 2009, and reflected the beginning of a collaborat...
This chapter draws from the work of the US performance company, Goat Island and the philosophy of De...
In this paper, I will try to develop a concept of collaboration based upon the discussion of two spe...
This chapter explores the potential value of addressing the theatrical practices of collective creat...
This article seeks to form a deeper understanding of the performance ecosystem by drawing parallels ...
Performance, in its multi-participant aspects, tends to emphasise the relationship between the indiv...
This thesis begins with the question of whether a collaborative art practice inspired by, or drawing...
This thesis argues that presence in the performing arts can be reconceived, via the philosophy of Gi...
One assumption about the shared enterprise of collaboration is that it involves participators workin...
This dissertation explores how creative collaborative practice transforms subjectivity, before it is...
This is a book about collaboration in the arts, which explores how working together seems to achieve...
In this dissertation I argue that responsibility for self is an important feature of human agency, c...
This essay poses the question ‘who are the we in collaboration’? At a time when the rhetoric of coll...
In this thesis, I shall explore the possibility of offering a non-reductive theory of group minds an...
This is a book about collaboration in the arts, which explores how working together seems to achieve...
The original abstract for this text was written in 2009, and reflected the beginning of a collaborat...
This chapter draws from the work of the US performance company, Goat Island and the philosophy of De...
In this paper, I will try to develop a concept of collaboration based upon the discussion of two spe...
This chapter explores the potential value of addressing the theatrical practices of collective creat...
This article seeks to form a deeper understanding of the performance ecosystem by drawing parallels ...
Performance, in its multi-participant aspects, tends to emphasise the relationship between the indiv...
This thesis begins with the question of whether a collaborative art practice inspired by, or drawing...
This thesis argues that presence in the performing arts can be reconceived, via the philosophy of Gi...
One assumption about the shared enterprise of collaboration is that it involves participators workin...
This dissertation explores how creative collaborative practice transforms subjectivity, before it is...
This is a book about collaboration in the arts, which explores how working together seems to achieve...
In this dissertation I argue that responsibility for self is an important feature of human agency, c...
This essay poses the question ‘who are the we in collaboration’? At a time when the rhetoric of coll...
In this thesis, I shall explore the possibility of offering a non-reductive theory of group minds an...
This is a book about collaboration in the arts, which explores how working together seems to achieve...
The original abstract for this text was written in 2009, and reflected the beginning of a collaborat...