Add to ORKGThis chapter provides an introduction to the complex notion of 'immanence' as it appears in the work of Gilles Deleuze before going on to explore the implications of this concept for performance practice. In parallel, the chapter also includes a manifesto for an immanent performance practice, including images created by the author
If anything, Deleuze and Guattari’s philosophy, makes all living beings, including the human subject...
The following text opened the conference, “The Concept of Immanence in Philosophy and the Arts”, hel...
This thesis is an interdisciplinary study of the aesthetics of movement in Gilles Deleuze’s writings...
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in...
This chapter explores the potential value of addressing the theatrical practices of collective creat...
Jan Suk The Poetics of Immanence: Performance Theatre of Forced Entertainment Abstract The present d...
This thesis argues that presence in the performing arts can be reconceived, via the philosophy of Gi...
In this thesis, I will demonstrate that live performance is powerfully situated to apply insights ar...
This thesis revisits the manifestos of Twentieth Century theatre makers in order to establish a mani...
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to...
Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well...
Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well...
If in pure immanence all meaning should emerge freely within a system (e.g. is a fully spontaneous p...
The onset of digital photography involves an image not fixed on celluloid or paper, and whose very e...
In this work, we depart from the understanding that the co-presence of performers and spectators in ...
If anything, Deleuze and Guattari’s philosophy, makes all living beings, including the human subject...
The following text opened the conference, “The Concept of Immanence in Philosophy and the Arts”, hel...
This thesis is an interdisciplinary study of the aesthetics of movement in Gilles Deleuze’s writings...
Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in...
This chapter explores the potential value of addressing the theatrical practices of collective creat...
Jan Suk The Poetics of Immanence: Performance Theatre of Forced Entertainment Abstract The present d...
This thesis argues that presence in the performing arts can be reconceived, via the philosophy of Gi...
In this thesis, I will demonstrate that live performance is powerfully situated to apply insights ar...
This thesis revisits the manifestos of Twentieth Century theatre makers in order to establish a mani...
This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to...
Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well...
Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well...
If in pure immanence all meaning should emerge freely within a system (e.g. is a fully spontaneous p...
The onset of digital photography involves an image not fixed on celluloid or paper, and whose very e...
In this work, we depart from the understanding that the co-presence of performers and spectators in ...
If anything, Deleuze and Guattari’s philosophy, makes all living beings, including the human subject...
The following text opened the conference, “The Concept of Immanence in Philosophy and the Arts”, hel...
This thesis is an interdisciplinary study of the aesthetics of movement in Gilles Deleuze’s writings...