In our study we deal with various stages of human cognition of real-life musical signals, create their models and discuss their implementation. The rst part compares time-frequency representations and their factorization into sinusoids and background noise. We combine various approaches to coupling sinusoids into trajectories. Next we examine methods for the estimation of note parameters from trajectories and methods for musical instrument classi cation. The nal part focuses on global music-theoretical features of recordings such as tempo, melodic phrases, chord accompaniment or key
This paper investigates possible estimators of musical information in subregions of a time-frequency...
cote interne IRCAM: Lartillot03gNone / NoneNational audienceGeneral methodologies for analyzing musi...
While approaches that had already established historical precedents – computer-assisted analytical a...
In our study we deal with various stages of human cognition of real-life musical signals, create the...
cote interne IRCAM: Lartillot02cNone / NoneNational audienceWith music, human may simulate the whole...
Music Understanding refers to the recognition or identification of structure and pattern in musical ...
We present a review on perception and cognition models designed for or applicable to music. An empha...
We describe an information-theoretic approach to the analysis of music and other sequential data, wh...
I propose a dissertation that examines the psychoacoustic bases of the perception of music by human ...
This project started with the observation that we manage to recognize a song by listening to only a ...
The purpose of this research was to create a computational model of music transcription. The compute...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
This paper is concerned with the handling of rhythm in music content processing applications. Keepin...
This thesis presents techniques for the modelling of musical signals, with particular regard to mono...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
This paper investigates possible estimators of musical information in subregions of a time-frequency...
cote interne IRCAM: Lartillot03gNone / NoneNational audienceGeneral methodologies for analyzing musi...
While approaches that had already established historical precedents – computer-assisted analytical a...
In our study we deal with various stages of human cognition of real-life musical signals, create the...
cote interne IRCAM: Lartillot02cNone / NoneNational audienceWith music, human may simulate the whole...
Music Understanding refers to the recognition or identification of structure and pattern in musical ...
We present a review on perception and cognition models designed for or applicable to music. An empha...
We describe an information-theoretic approach to the analysis of music and other sequential data, wh...
I propose a dissertation that examines the psychoacoustic bases of the perception of music by human ...
This project started with the observation that we manage to recognize a song by listening to only a ...
The purpose of this research was to create a computational model of music transcription. The compute...
This dissertation utilizes a multi-method approach to investigate the processes underlying musical l...
This paper is concerned with the handling of rhythm in music content processing applications. Keepin...
This thesis presents techniques for the modelling of musical signals, with particular regard to mono...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
This paper investigates possible estimators of musical information in subregions of a time-frequency...
cote interne IRCAM: Lartillot03gNone / NoneNational audienceGeneral methodologies for analyzing musi...
While approaches that had already established historical precedents – computer-assisted analytical a...